Pechstein, Max - Expressionismo / Neo-Primitivismo
Man with Pipe, date unknown
Color woodcut
29 3/4 x 22 1/4 in. (75.565 x 56.515 cm)
Dallas Museum of Art, Texas
Still Life with Winter Cherry and Red Peppers, 1906
Oil on canvas
Sprengel Museum, Hanover
Bridge over the Seine with small steamer (recto);
Portrait of a woman (verso), 1908
Oil on canvas
46.3 (h) x 54.9 (w) cm
National Gallery of Australia, Canberra
Landscape with Farmhouse, 1909
Oil on canvas
29 1/2 x 35 1/4 inches (74.9 x 89.5 cm) (framed)
Philadelphia Museum of Art
House on the Kuhrische Nehrung, 1909
Oil on canvas
50 x 50 cm
Museo Thyssen-Bornemisza, Madrid
Girl in Red with a Parasol, 1909
Oil on canvas
Hessisches Landesmuseum, Darmstadt
Max Raphael, c. 1910
Watercolor on paper
22 5/8 x 18 3/8" (57.3 x 46.7 cm)
The MUseum of Modern Art, New York City
Horse Fair, 1910
Oil on canvas
70 x 81 cm
Museo Thyssen-Bornemisza, Madrid
Reclining Nude with Cat, c. 1910
Ink and watercolor on paper
Sheet (irreg.): 13 3/4 x 18 3/8" (34.9 x 46.7 cm)
The Museum of Modern Art, New York City
Seated Nude, 1910
Oil on canvas
Nationalgalerie, Berlin
Girl Combing Her Hair, 1910
Oil on canvas
28 9/16 x 28 13/16 inches (72.5 x 73.2 cm)
Philadelphia Museum of Art
Indian and Woman, 1910
Oil on canvas
32 1/2 x 26 1/8 in. (82.6 x 66.4 cm)
framed: 36 3/4 x 30 5/8 in. (93.3 x 77.8 cm)
Saint Louis Art Museum, Missouri
The Big Indian, 1910
Oil on canvas
35 1/4 x 35 1/4 in. (89.5 x 89.5 cm)
Saint Louis Art Museum, Missouri
Three Nudes in a Landscape, 1911
Oil on cavnas
Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Early Morning, 1911
Oil on canvas
Private collection
Day of Steel, 1911
Oil on canvas
39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)
Saint Louis Art Museum, Missouri
The Bathers, 1912
Oil on canvas
76,2 x 101,5 x 0 cm
Museo Thyssen-Bornemisza, Madrid
Artischocken, c. 1912
Oil on canvas
69 x 80 cm
Kunstmuseum Lucerne, Switzerland
Somme, 1916/18
Etching
19 5/8 x 15 5/8 in. (49.848 x 39.688 cm)
Dallas Museum of Art, Texas
Fischerpferde, 1919
Oil on canvas
90.5 x 120.5 cm
Kunstmuseum Lucerne, Switzerland
Frauen mit buntem Teppich, 1920
Oil on canvas
117 x 91.5 cm
Kunstmuseum Lucerne, Switzerland
Hagar, 1920
Oil on canvas
91.5 x 117 cm
Kunstmuseum Lucerne, Switzerland
Tales of the sea, 1920
Oil on canvas
120 x 90,5 cm
Private collection
Sunset, 1921
Oil on canvas
32 1/8 x 40 in. (81.6 x 101.6 cm)
Saint Louis Art Museum, Missouri
Sunlight, 1921
Oil on canvas
47 5/16 x 36 in. (120.02 x 91.44 cm)
Private collection
Dancer in the Mirror (Tänzerin im Spiegel), 1923
Woodcut
composition: 19 7/16 x 15 3/4" (49.4 x 40 cm); sheet (irreg.): 31 11/16 x 22 13/16" (80.5 x 58 cm)
The Museum of Modern Art, New York City
Steinträger, 1924
Watercolor on paper
89 x 64.3 cm
Kunstmuseum Lucerne, Switzerland
Convent von Monterosso al mare, 1924
Oil on canvas
80 x 100 cm
Wilhelm Lehmbruck Museum, Duisberg, Germany
Einholen des Bootes, 1925
Oil on canvas
81 x 100.5 cm
Kunstmuseum Lucerne, Switzerland
Porträt Dr. Minnich, 1925
Oil on canvas
73.9 x 55.4 cm
Kunstmuseum Lucerne, Switzerland
Feierabend, 1925
Watercolor on paper
45.5 x 59.2 cm
Kunstmuseum Lucerne, Switzerland
Modellpause, 1925
Oil on canvas
64.3 x 78.2 cm
Kunstmuseum Lucerne, Switzerland
Ohne Titel, 1925
Watercolor on paper
44.5 x 59 cm
Kunstmuseum Lucerne, Switzerland
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No quadro "Tales of the sea, 1920", uma mulher com um vestido vermelho inclina-se para a frente para falar com uma jovem que está de costas para nós, enquanto que outra mulher observa. O título da obra sugere que ela está a contar uma história sobre as aventuras no mar. O artista utiliza contornos pretos e fortes e cores contrastantes e dramáticas, colocando o vermelho do vestido sobre o verde e o azul do mar. A cor e a linha eram fundamentais para a obra de Pechstein, o que o associa ao grupo dos expressionistas alemães denominado Die Brüke. Pechstein era o único membro do grupo que tinha formação académica em arte. Pintando muitas vezes figuras nuas em cenários paisagistas, ele procurou evocar uma sensação de homem em harmonia com a natureza. A obra deste autor desenvolveu-se em especial sob a influência de Matisse e de Vincent van Gogh mas, na altura em que fez este quadro, ele tinha desenvolvido um interesse pela Arte Primitiva, uma fonte de inspiração que se reflecte na angularidade semelhante a uma máscara e nos olhos arregalados da mulher. Max Pechstein nasceu em Zwickau (ALE) em 1881 e morreu em Berlim (ALE) em 1955.
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(1881-1955) Max Pechstein's artistic talent was discovered and encouraged at a very early age. His conventional career, first as an apprentice with a Zwickau painting master, then at the Dresden Kunstgewerbeschule and finally at the Dresden Akademie under the decorative painter Otto Gußmann, provided Pechstein with a sound craftsmanship. His ceiling painting at the Dresden Arts and Crafts Exhibition in 1906, with such an unconventional colour scheme that the organisers had it sprayed with grey paint to soften the colours, attracted Erich Heckel's attention. He then invited Pechstein to join the artist group ,Die Brücke' which had been founded the year before in opposition to Impressionism. The group's aim was to "attract all revolutionary and restless forces" (Schmidt-Rottluff) and an emphasis of the power of colour in painting. In this environment Pechstein's Expressionist style developed further, concentrating on elaborating the focal point of the painting with a sparse painting technique. The artist moved to Berlin in 1908 and became a co-founder of the ,Neue Sezession'. He painted figures, still lifes and landscapes in a moderately Expressionist style. Perhaps it was this, which lead to the artist's early and continuing success. From 1945 Pechstein taught at the Berlin Akademie der Künste. Before that time, during the Third Reich, he was slandered as a "degenerate" artist. Apart from paintings his oeuvre includes more than 850 woodcuts, lithographs and engravings.
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on Sábado, Novembro 24, 2007 at 4:54 PM.
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2:41 AME depois gosto tanto de me esconder aqui..
Aquele prazer,
Vira Vento.
2:08 AM
Excelente. Foi encantador ver as telas.
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