Hodler, Ferdinand - Simbolismo / Arte Nova
Die Uhrmacherwerkstätte in Madrid, 1879
Oil on canvas
82 x 93 cm
Kunstmuseum Lucerne, Switzerland
The Convalescent, 1880
Oil on canvas
Oskar Reinhart Foundation, Winterthur
Portrait einer Frau, 1884-1890
Oil on canvas
55 x 46 cm
Wallraf-Richartz-Museum, Cologne, Germany
Lesender Mann (Man Reading), 1885
Oil on canvas
28 5/8 x 23 3/8 inches (73 x 59.5 cm)
Private collection
Surprised by the Storm, 1886-87
Oil on canvas
Oskar Reinhart Foundation, Winterthur
Der Salève im Herbst, 1891
Oil on canvas
70 x 51 cm
Kunstmuseum Lucerne, Switzerland
Tired of Life, 1892
Oil on canvas
149,7 x 294,0 cm
Neue Pinakothek, Munich, Germany
The Disillusioned One, 1892
Oil on canvas
22 1/8 x 17 3/4 in. (56.2 x 45.08 cm)
Los Angeles County Museum of Art
Herbstlandschaft bei Solothurn, circa 1893
Oil on canvas
33 x 46 cm
Kunstmuseum Lucerne, Switzerland
The Chosen One, 1893-94
Tempera and oil on canvas
Kunstmuseum, Berne
Porträt der Berthe Jacques, Frau des Künstlers, 1894
Oil on canvas
33,5 × 28 cm
Private collection
Frauenbildnis, 1895
Oil on canvas
42 x 38 cm
Kunstmuseum Lucerne, Switzerland
Study for Day, 1898/1899
Oil on canvas
41 7/8 x 39 3/8 in. (106.3 x 100.0 cm)
Detroit Institute of Arts, Michigan
Sadik Belig, 1900
Oil on canvas
Meadows Museum at Southern Methodist University, Dallas, Texas
Der Tag III, circa 1900/1910
Oil ,on canvas
170 x 368 cm
Kunstmuseum Lucerne, Switzerland
Emotion, 1901-02
Oil on canvas
Private collection
Jüngling mit Blume, circa 1902
Oil on paper
42 x 29,5 cm
Private collection
Spring, 1904
Oil on canvas
102.5 x 129.5 cm.
Museum Folkwang, Essen
Calme de soir, 1904/05
Oil on canvas
Kuntsmuseum of Winterthur Hall
The Lac Léman, 1905
Oil on canvas
80 x 99 cm.
Stiftung für Kunst, Winterthur
Lied aus der Ferne, 1. Fassung, 1906
Oil on canvas
140 x 120 cm
Kunstmuseum St.Gallen, Switzerland
Landscape on Lake Geneva, C. 1906
Oil on canvas
59,8 x 84,5 cm
Neue Pinakothek, Munich, Germany
Die heilige Stunde, 1906/07
Oil on canvas
H: 193 cm, B: 113,5 cm
Schleswig-Holstein Museums, Germany
James Vibert, Sculptor, 1907
Oil on canvas
25 1/2 x 26 in. (64.7 x 66 cm)
The Art Institute of Chicago
Andey Peak, Arve Valle in Haute Savoie, 1909
Oil on canvas
H. 67.5; W. 90.5 cm
Musée d'Orsay, Paris
Stockhorn von Oberhofen aus, 1910
Oil on canvas
63.4 x 80 cm
Kunstmuseum Lucerne, Switzerland
The Woodcutter (Der Holzfäller), 1910
Ink, paper; lithograph
Sheet dimensions: 21 1/2 x 16 1/4 in. (54.61 x 41.275 cm)
Dallas Museum of Art, Texas
Der Holzfäller (The Woodcutter), 1910
Oil on canvas
H.130; B.101cm
Musée d'Orsay, Paris
Der Holzfäller, circa 1910
Oil on canvas
130 x 105 cm
Kunstmuseum Lucerne, Switzerland
Lake Thun and the Stockhorn Mountains, 1910
Oil on canvas
83.00 x 105.40 cm
National Galleries of Scotland, Edinburgh
The Sacred Hour (Die Heilige Stunde), Circa 1907-Circa 1911
Oil on canvas
72 x 89 in. (182.9 x 226.1 cm)
Cincinnati Art Museum, Ohio
Lake, 1910-1912
Oil on canvas
44.5x64.5 cm
Hermitage Museum, Saint Petersburg, Russia
Das Breithorn, circa 1911
Oil on canvas
67 x 89 cm
Kunstmuseum Lucerne, Switzerland
The Grand Muveran, c. 1912
Oil on canvas
27 3/4 x 37 in. (70.5 x 94 cm)
The Art Institute of Chicago
Autoportrait avec les yeux ouverts III, 1912
Oil on canvas
Kuntsmuseum of Winterthur
Beckmann, Hodler, Lehmbruck
Madame Valentine Godé-Darel malade, 1914
Oil and gouache on canvas
H. 0.47 ; L. 0.4
Musée d'Orsay, Paris
Bildnis Carl Spitteler, 1915
Oil on canvas
65 x 80 cm
Kunstmuseum Lucerne, Switzerland
Self-Portrait, smiling, 1916
Oil on canvas
Kuntsmuseum of Winterthur
Beckmann, Hodler, Lehmbruck
Genfersee mit Salève und Montblanc-Kette im Hintergrund, 1918
Oil on canvas
61 x 80,5 cm
Kunstmuseum Lucerne, Switzerland
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No quadro "The Grand Muveran, c. 1912" os elementos formais foram cuidadosamente equilibrados para criar uma sensação de calma. Este quadro surge ao nosso olhar restringido, condensado e simplificado, como se para nos apresentar apenas a essência da cena; com todos os detalhes eliminados, foi composto num desenho rítmico de camadas de formas e de cor. Hodler desenvolveu um estilo de pintura de paisagem muito decorativo, com contornos e cores fortes, utilizando motivos paralelos para obter determinados efeitos. Foi influenciado por Camille Corot e Gustave Courbetno início da sua carreira, mas, posteriormente, as pinturas de Hodler demonstram o interesse do artista pelo Simbolismo e a Arte Nova. O estilo lenear e simples que ele foi desenvolvendo, usando a cor como um elemento importante, é exemplo do movimento expressionista. Ferdinand Hodler nasceu em Berna em 1853 e morreu em Genebra em 1918.
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Ferdinand Hodler, born March 14, 1853, near Bern, died May 20, 1918, Geneva - one of the most important Swiss painters of the late 19th and early 20th century. He was orphaned at the age of 12 and studied first at Thun under an artist who painted landscapes for tourists. After 1872, however, he worked in a more congenial atmosphere at Geneva, under Barthélémy Menn. By 1879, when Hodler settled in Geneva, he was producing massive, simplified portraits owing something to the French realist painter Gustave Courbet. By the mid-1880s, however, a tendency to self-conscious linear stylization was visible in his subject pictures, which dealt increasingly with the symbolism of youth and age, solitude, and contemplation, in such works as “Die Nacht” (1890; “The Night,” Kunstmuseum, Bern), which brought him acclaim throughout Europe. From this time his serious work can be divided between landscapes, portraits, and monumental figural compositions. The latter works present firmly drawn nudes who express Hodler's mystical philosophy through grave, ritualized gestures. These pictures are notable for their strong linear and compositional rhythms and their clear, flat, decorative presentation.
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on Segunda-feira, Outubro 29, 2007 at 8:47 PM.
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1:00 AMAhh... a arte nova. que coisa mais linda pros meus olhos...
Obrigado por compartilhar, amigo!
8:53 PM
Carajo!!! Su blog es estupendo. Realmente notable.Es una gran sorpresa encontrar un sito así. Yo le encontré por Arbus. Sinceros saludos desde México.
3:50 AM
Oi, seu blog é muito bom. Só queria avisar que o endereço do feed tá errado, com uma barra a mais em
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