Larionov, Mikhail - Neo-Primitivismo/Cubismo
Nature Morte à la Théière, 1906
Oil on canvas
96 x 104 cm
Private collection
Coiffeur d'Officiers, 1907
Oil on canvas
117 x 89 cm
Private collection
Vendeuse d'Eau Gazeuse, 1907
Oil on canvas
78 x 90 cm
Private collection
Bouquet aux Fleurs Jaunes, 1907
Oil on canvas
95 x 84 cm
Private collection
Nature Morte à l'Ecrevisse, 1907
Oil on canvas
80 x 95 cm
Private collection
Le Soldat, 1908
Oil on canvas
99 x 72 cm
Private collection
The Baker, 1909
Oil on canvas
107 x 102 cm
Museo Thyssen-Bornemisza, Madrid
La belle des soldats, 1909/10
Oil on canvas
88 x 97,5 cm
Von der Heydt-Museum, Wuppertal, Germany
Prostituée chez le Coiffeur, 1910
Oil on canvas
149 x 150 cm
Private collection
Autoportrait, 1910
Oil on canvas
104 x 89 cm
Private collection
Le Boeuf-Rayonnisme, 1910
Oil on canvas
85 x 67 cm
Private collection
Soldier in a Wood, about 1911
Oil on canvas
84.50 x 91.40 cm
National Galleries of Scotland, Edinburgh
Soldier at Rest, 1911
Oil on canvas
The Tretyakov Gallery, Moscow
Soldier on a Horse, circa 1911
Oil on canvas
870 x 991 mm frame: 1014 x 1131 x 65 mm
Tate Gallery, London
Femme sur le Boulevard, 1911
Oil on canvas
116 x 86 cm
Private collection
Portrait de Vladimir Tatlin, 1911
Oil on canvas
90 x 72 cm
Private collection
Rayonnisme Rouge, 1911
Gouache on board
27 x 33 cm
Private collection
Rayonnisme Brun-Jaune, 1912
Oil on canvas
49 x 61 cm
Private collection
Coq, étude rayonniste, 1912
Centre Georges Pompidou. París. France
L'été, 1912
Oil on canvas
138 x 117 cm
Private collection
L'Automne, 1912
Óleo sobre tela
136 x 114 cm
Private collection
Still Life with Carafe and Curtains, c. 1914
Oil on canvas
41 x 29 cm
Museo Thyssen-Bornemisza, Madrid
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Em "Soldier in a Wood, about 1911", um soldado faz uma pausa furtiva no seu trabalho para fumar um cigarro. Olhando-nos directamente, com a mão na anca e as rédeas do cavalo sobre o braço direito, parece a estar prestes a dizer algo. O cavalo foi pintado com uma simplicidade infantil e o bosque em que se encontra, de bétulas e pinheiros, tem um encanto mágico. O estilo naif lembra as gravuras tradicionais da Rússia, país natal de Larionov. Simples, e no entanto, cativante, o quadro faz parte de uma série intitulada "Soldados", iniciada cerca de 1909, na qual Larionov cultivou deliberadamente o estilo primitivo, rudimentar, por vezes adicionando piadas e obscenidades verbais, numa reacção deliberada contra o "bom gosto". Mais tarde inventaria o Raionismo, um movime3nto que pretendia redeuzir a forma a uma série dinâmica de linhas, evocando os raios de luz reflectidos pelos objectos. Em 1914, ele a sua mulher, Gontcharova, partiram rumo a Paris, onde trabalharam para o coreógrafo Sergei Diaghilev, no Ballet Russe. Mais tarde, instalaram-se definitivamente em França. Mikhail Larionov nasceu em Tiraspol (UCR) em 1881 e morreu em Fontenay-aux-Roses (FR) em 1964.
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Mikhail Fyodorovich Larionov Biography (1881–1964) - Painter and stage designer, born in Tiraspol, SE Moldova. He studied sculpture and architecture at the Moscow Institute of Painting until 1908. He worked closely with his future wife, Natalia Goncharova, and together they developed Rayonism (1912–14), a style akin to Italian Futurism. They held a joint exhibition in Paris 1914, and from 1915 were renowned for their work on ballet designs for Diaghilev.
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on Sexta-feira, Setembro 28, 2007 at 11:42 PM.
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2:28 PMgostei muito
10:02 PM
hello JG,
it's not possible to suscribe to the feed of your wonderful blog... could you update your settings ? thanks for your work
7:38 AM
congrats! keep up the good work/this is a great presentation.
canvas Print
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