Jones, Allen - Arte Pop
The Battle of Hastings, 1961-2
Oil on canvas
1829 x 1829 mm
Tate Gallery, London
Thinking about Women, 1961/62
Oil on canvas
152 cm x 151.8 cm
Norwich Museums, England
3rd Big Bus, Red, 1962
Oil on canvas
2027 x 2027 mm
Birmingham Museums & Art Gallery, UK
Something like sisters, 1962
Oil on canvas
2135 x 213.5 cm
Hamburger Kunsthalle. Hamburg, Germany
Hermaphrodite, 1963
Oil on canvas
213.5 x 122cm
National Museums Liverpool, UK
Man Woman, 1963
Oil on canvas
2146 x 1886 mm
Tate Gallery, London
Buses, 1964
Acrylic on cotton duck
275.0 x 305.1 cm
National Museums and Galleries of Wales
Dream T-Shirt, 1964
Screenprint on paper
737 x 552 mm
Tate Gallery, London
Untitled, 1964
Lithograph on paper
800 x 571 mm
Tate Gallery, London
Exciting Women, 1964
Lithograph on paper
409 x 438 mm
Tate Gallery, London
Miss America, from the portfolio 11 Pop Artists, Volume I, 1965
Lithograph
24 x 20 in. (61.0 x 50.8 cm)
Smithsonian American Art Museum, Washington D.C.
Shoe Wheel, 1965/66
Oil on canvas
93 x 91,5
Royal Museums of Fine Arts of Belgium
Wet Seal, 1966
Oil on canvas, wood and melamine
934 x 915 x 100 mm
Tate Gallery, London
Large Bus, 1966
Lithograph
102.5 X 107.5 CM
British Council Arts Group
Shoe, from portfolio "Shoebox", 1968
Lithograph
The University of Michigan Museum of Art
2 (Touching Shoe, Pink) Life Class Portfolio, 1968
Lithograph
82.8 X 56.4 cm
British Council Arts Group
3 (Suit, Green) Life Class Portfolio, 1968
Lithograph
82.8 X 56.4 cm
British Council Arts Group
Chair, 1969
Painted plastic and mixed media
775 x 571 x 991 mm
Tate Gallery, London
Left Hand Lady, 1970
Lithograph on paper
575 x 762 mm
Tate Gallery, London
Leg-Splash, 1970-1
Lithograph on paper
660 x 505 mm
Tate Gallery, London
Cafe Noir 1973
Screenprint on paper
600 x 797 mm
Tate Gallery, London
One Way Traffic 1974
Screenprint on paper
340 x 632 mm
Tate Gallery, London
Untitled 1974
Screenprint on paper
190 x 149 mm
Tate Gallery, London
Hatstand, 1974
Black and white argentic print on baryted paper laid-down on aluminum
h: 80 x w: 120 cm / h: 31.5 x w: 47.2 in
Kleenex Box, 1975
Oil on canvas
91.4 X 91.4 CM
British Council Arts Group
III (from The Magician Suite), 1976
Lithograph on paper
832 x 411 mm
Tate Gallery, London
Crazy Horse, 1976
Screenprint on paper
629 x 775 mm
Tate Gallery, Londonj
Cut-a-Way, 1976
Screenprint on paper
686 x 549 mm
Tate Gallery, London
[no title], 1976-7
Screenprint on paper
502 x 702 mm
Tate Gallery, London
[no title] from Ways and Means , 1976-7
Screenprint on paper
502 x 702 mm
Tate Gallery, London
[no title] from Ways and Means, 1976-7
Screenprint on paper
502 x 702 mm
Tate Gallery, London
[no title] from Ways and Means, 1976-7
Screenprint on paper
502 x 702 mm
Tate Gallery, London
Santa Monica Shore, 1977
Oil on canvas
1835 x 1835 mm
Tate Gallery, London
Printed Object, 1982
Oil on canvas
h: 60 x w: 60 in / h: 152.4 x w: 152.4 cm
Party Time, 1984-1985
Screenprint on paper
h: 108 x w: 87.5 cm / h: 42.5 x w: 34.4 in
High Key, 1996
Oil on canvas
h: 50 x w: 48 in / h: 127 x w: 121.9 cm
Refrigerator, 2002
Sculpture in mixed media
h: 188 x w: 84 x d: 34 cm / h: 74 x w: 33.1 x d: 13.4 in
Three Part Invention, 2002
Oil on canvas
h: 181.6 x w: 273 cm / h: 71.5 x w: 107.5 in
Standby, 2003
Watercolor on paper
h: 77 x w: 58.5 cm / h: 30.3 x w: 23 in
Enchanteresse, 2006
Polychromed bronze with patina and leather on stainless steel base
h: 116 cm / h: 45.7 in
Pitch, 2006
Oil on canvas
h: 130 x w: 122 cm / h: 51.2 x w: 48 in
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O quadro "Man Woman, 1963", que pertence a uma série com o título hermafrodita, os corpos sem cabeça de um homem e uma mulher fundem-se um no outro. A figura masculina com gravata às riscas claras é, de facto, um auto-retrato do artista. Na sua preocupação com a sexualidade, Jones quis mostrar aqui a união entre seres humanos que só pode ser atingida pelo acto sexual. Foi profundamente influenciado pela Psicologia de Jung e pela Filosofia de Nietzsche, que acreditava que a criação da arte dependo do artista ser capaz de integrar os seus próprios elementos masculino e feminino. Homem-Mulher, um dos primeiros exemplos de Arte Pop de Jones, é uma representação visual desta teoria. As suas pinturas contam muitas vezes uma história. Nos finais dos anos 60 e na década de 1970, o seu trabalho exploraria ainda mais as ideias associadas ao erotismo e, consequentemente, muitas das suas imagens de mulheres são tidas como sexualmente provocadoras. Allen Jones nasceu em Southampton (GB) em 1937
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Allen Jones was born in Southampton in 1937. He studied at Hornsey College of Art, London (1955-59), and the Royal College of Art (1959-60) and returned to Hornsey to take a teacher training course (1960-61). The early 1960s at the Royal College of Art witnessed the birth of British Pop Art (Pop Art first emerged in America in 1960). Allen Jones was one of a group of students which included Derek Boshier, David Hockney, RB Kitaj and Peter Phillips, who radically changed the face of British art with their precocious, unconventional and irreverent work which was based in popular culture, embracing new subject-matter and new materials. Jones's preference was for glamour and style, and his aesthetic centred on beautiful women visualised erotically and stereotypically as in glossy magazines, advertisements and cartoon strips. Underpinned with a great mastery of colour and a consummate painting technique, Jones's work fluctuates between painting and sculpture. On a flat canvas painted forms appear sculptural and his three-dimensional works are painterly. He uses colour to describe form, at times with graphic precision, or conversely with an energy and freedom of gesture which is close to direct expression. Similar developments are evident in his printmaking. Having sustained a long and successful career as an artist, developing his work at a consciously measured pace, Jones has remained central to British art. His work may be seen in many public places including the most fashionable restaurants. He has carried out commissions for the City of London (1987), the British Airport Authority, Heathrow Airport (1991), Chelsea and Westminster Hospital (1992-93) Taikoo Place, Hong Kong (1997), Chatsworth, Derbyshire (2000), Glaxo SmithKline World Headquarters, London (2001) and Taikoo Place, Hong Kong (2002 – 3). Allen Jones lives and works in London.
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on Sábado, Setembro 15, 2007 at 9:22 PM.
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9:28 PMVou linkar esta galeria...tens a tate gallery toda aí?!
Tá fixe.bjj.Aproveito para te dar a nova morada:www.vitoria2.wordpress.com
1:19 PM
É um tipo de arte que tem o seu lugar na modernidade, obviamente. Mas não é das que mais aprecio.
Um abraço.
12:00 AM
Cada vez que venho por aqui faço uma nova descoberta. Desta vez dois ou três pintores que não conhecia. Nunca me decepcionas.
Aproveito para pôr-te o endereço da web da minha mulher a pintora Carmen Martin, por se queres espiar um pouco:
www.carmenmartin.com
Tem também um blogue, Pintura en Acción no que recolhe o resultado das suas acções pictóricas
Carmen leva pintados este ano mais de 200 quadros ao acrílico, óleo e temple (têmpera de ovo). Mais por ser eu mais vago do que quisera ainda não subi nenhuma foto. Em apenas duas semanas espero poder remediar isto.
Outra galeria sua está em culturagalega.info
Tens a minha admiração mais sincera. Um abraço.
5:26 PM
Visitando a fabulosa galeria, Mestre JG.
Um prazer sempre renovado.
:)
3:36 PM
Esse eu ainda não conhecia. lindas obras. meu deus.
Você sabe onde consigo imagens de art nouveau? Sou apaixonado por art nouveau tambem.
Muito obrigado por compartilhar essas coisas lindas.
Abraços
Rubens
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