Soutine, Chaim - Expressionismo
Portait of a Nurse, c. 1916
Oil on canvas
Los Angeles County Museum of Art
Landschaft mit Häusern, 1918
Oil on canvaxs
54 x 64.5 cm
Kunstmuseum Lucerne, Switzerland
La Maison blanche, c. 1918
Oil on canvas
Musée de l’Orangerie, Paris
Paysage avec personnage, c.1918/19
Oil on canvas
Musée de l’Orangerie, Paris
Little Girl with Doll, 1919
Oil on canvas
73 x 59.7 cm
Alex Hillman Family Foundation, New York
Parisian Suburb - c. 1919
Oil on canvas
65.1 cm (25.63 in.), Width: 54 cm (21.26 in.)
Private collection
Flowers and Fish - 1919
Oil on canvas
65.3 cm (25.71 in.), Width: 50.2 cm (19.76 in.)
Private collection
Ceret Landscape - circa 1919/20
Oil on canvas
45.72 cm (18 in.), Width: 60.96 cm (24 in.)
Private collection
Le Mas Passe-Temps, Céret, 1920/21
Oil on canvas
62.80 x 86.30 cm
National Galleries of Scotland, Edinburgh
Polish Woman, 1922
Oil on canvas
81 x 65.1 cm
Private collection
The Old Mill, c. 1922/23
Oil on canvas
26 1/8 x 32 3/8" (66.4 x 82.2 cm)
The Museum of Modern Art, New York City
Paysage, c. 1922/23
Oil on canvas
Musée de l’Orangerie, Paris
Portrait d'homme (Emile Lejeune), c. 1922/23
Oil on canvas
Musée de l’Orangerie, Paris
Le Petit Pâtissier, c. 1922/23
Oil on canvas
Musée de l’Orangerie, Paris
Bœuf et tête de veau, c. 1923
Oil on canvas
Musée de l’Orangerie, Paris
Le sculpteur Miestchaninoff, 1923
Oil on canvas
65 cm x 83 cm
Pompidou Center, Paris
Landscape at Cagnes, 1923-24
Oil on paper mounted on canvas
21-1/2 x 25-3/4 in. (54.6 x 65.4 cm)
Norton Simon Museum, Pasadena, California
Arbre couché, c. 1923 - 1924
Oil on canvas
Musée de l’Orangerie, Paris
Green Trees, c.1923/24
Oil on canvas
59.1 x 71.8 cm
Teruyuki Yamazaki, Nagoya, Japan
Dead Fowl, c. 1924
Oil on canvas
43 1/2 x 32" (110.4 x 81.1 cm)
The Museum of Modern Art, New York City
Nature morte au faisan, c. 1924
Oil on canvas
Musée de l’Orangerie, Paris
Cook of Cagnes, 1924
Oil on canvas
61 x 51 cm
Kunstmuseum Bern. Switzerland
Woman in Pink, c. 1924
Oil on canvas
28 3/4 x 21 3/8 in. (73 x 54.3 cm)
Saint Louis Art Museum, Missouri
Garçon d'honneur, c. 1924/25
Oil on canvas
Musée de l’Orangerie, Paris
Le Poulet plumé, c. 1925
Oil on canvas
Musée de l’Orangerie, Paris
Le Dindon, c. 1925
Oil on canvas
Musée de l’Orangerie, Paris
Le Garçon d'étage, c. 1927
Oil on canvas
Musée de l’Orangerie, Paris
Enfant de chœur, c. 1927 - 1928
Oil on canvas
Musée de l’Orangerie, Paris
Lina, 1928
Oil on canvas
38 x 46 cm
Kunstmuseum Lucerne, Switzerland
Girl in Green, 1928
Oil on canvas
36.5 x 27.3 cm
Philadelphia Museum of Art, Pennsylvania
Portrait of a Boy, 1928
Oil on canvas
45.7 x 38.1 cm
Private collection
Madeleine Castaing, 1929
Oil on canvas
39 3/8 x 28 7/8 in. (100 x 73.3 cm)
The Metropolitan Museum of Art, New York City
Portrait of Maria Lani, 1929
Oil on canvas
28 7/8 x 23 ½” (73.3 x 59.7 cm)
The Museum of Modern Art, New York City
Portrait of a Woman, 1929
Oil on canvas
55.2 x 46.4 cm
Private collection
Still Life, Painted in the late 20s
Oil on canvas
50.5 x 61 cm
E.G. Bührle Collection, Zurich
Marie at the Bath, 1931
Oil on canvas
60 x 53 cm
Private collection
Female Nude (Eve), 1933
Oil on canvas
46 x 27 cm
The Colin Collection, New York
Waiting Maid, 1933
Oil on canvas
46.7 x 41 cm
Private collection
La Jeune Anglaise, c. 1934
Oil on canvas
Musée de l’Orangerie, Paris
Servant Girl in Blue, 1934
Oil on panel
51.4 x 52.4 cm
Private collection
Chartres Cathedral, 1934
Oil on panel
92.4 x 50.2 cm
The Museum of Modern Art, New York City
House at Oisème, 1934
Oil on canvas
42.9 x 51 cm
Private collection
Portrait of a Lady, Painted around 1935
Oil on canvas
73 x 60 cm
E.G. Bührle Collection, Zurich
Alley of Trees, 1935
Oil on canvas
75.9 x 69 cm
Private collection
English Girl in Blue, 1937
Oil on canvas
27 x 21.9 cm
Private collection
Portrait of Charlot, 1937
Oil on canvas
30 x 25.1 cm
Private collection
Woman Reading, 1937
Oil on canvas
53 x 53 cm
Private collection
Large Poplars at Civry, 1939
Oil on canvas
73 x 54 cm
Reuben and Edith Hecht Museum, University of Haifa, Israel
Return From School After the Storm, 1939
Oil on canvas
43.2 x 49.5 cm
The Phillips Collection, Washington
Children Playing at Champigny, 1942-1943
Oil on canvas
54.9 x 40 cm
Private collection
Two Children at Champigny, c. 1942/43
Oil on canvas
46 x 61 cm
Private collection
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Em "Portrait of a Woman, 1929", uma mulher olha btristemente para nós. Colocada sobre um fundo escuro, a figura tem um ar persistense e melancólico. Soutine provoca fortes emoções areavés do uso de cores sombrias e pinceladas exageradas. Esta ênfase dada ao sentimento em vez da representação realista é típica do Expressionismo. Existe uma tristeza desoladora na obra de Soutine, uma sensação de isolamento transmitida pelos seus protagonistas, que é intensificada pelo uso frequente de muito impasto e pinceladas turbulentas. Soutine foi influenciado por Modigliani e Chagall, que conheceu em Paris nos anos 20. Soutine também é muito conhecido pelas suas paisagens, inspiradas em Cézanne e pelas suas naturezas-mortas onde muitas vezes representava carcaças em decomposição. Os seus emotivos retratos a três quartos inspiraram o pintor expressionista abstracto De Kooning. Chaim Soutine nasceu em Minsk (RUS) em 1893 e morreu em Paris (FR) em 1943.
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Chaim Soutine (1893-1943) - Chaim Soutine was born near Minsk, Belarus, and attended art school in Vilnius, Lithuania. In 1913, with the generosity of a local art patron Soutine went to Paris where he enrolled at the Ecole des Beaux-Arts. He met Marc Chagall, Jules Pascin, and Amedeo Modigliani with whom he shared a studio. From 1919 until 1922, Soutine visited Ceret, a mountain town in the Pyrennes and painted apocalyptic, visionary landscapes. In Paris after 1922, Soutine painted portraits and figures using very thick impasto in a style distinguished by expressive, gestural brushstrokes. Among his favorite subjects were valets and maids, often rendered with twisted faces and distorted limbs. He also painted dark and brooding still lifes of unconventional subjects such as sides of beef. By the 1920’s the American collector Alfred Barnes began collecting Soutine’s work in great depth and it subsequently found an appreciative audience in the United States.
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on Domingo, Agosto 05, 2007 at 11:41 PM.
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11:56 PMTe felicito por el blog. Haces un trabajo encomiable. Un saludo desde Canarias
JUAN YANES
12:22 AM
Obrigado amigo.
Fui ao teu blog e fiquei surpreendido com o que fazes. Irresistível a tua própria descrição. Vou transcrevê-la num outro blog que tenho.
Um abraço
11:30 PM
Me comoví com De Stael, Morandi e outros. Parabéns e obrigado
maria emilia do Rio de Janeiro
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