Goncharova, Natalia - Neo-Primitivismo / Cubismo
The boy with a cock, 1900-1913
Oil on canvas
99 x 79 cm
National Gallery of Armenia, Yerevan, Armenia
Willows, 1906
Oil on canvas
97 x 82 cm
National Gallery of Armenia, Yerevan, Armenia
Self-Portrait with Yellow Lillies, 1907
Oil on canvas
77 x 58.2 cm
Rusalka, (Wassernymphe), 1908
Oil on canvas
104 x 74 cm
Wallraf-Richartz-Museum, Cologne, Germany
Annunciation, c. 1909
Gouache
Fishing (fishers), 1909
Oil on canvas
112 x 99,7 cm
Museo Thyssen-Bornemisza, Madrid
Haycutting, 1910
Oil on canvas
Les lutteurs, between 1909 and 1910
Oil on canvas
1,03 m x 1,18 m
Musée d' Art Moderne (Centre Georges Pompidou), Paris
Goncharova & Larinov, c. 1910
Oil on canvas
Art Institute of Chicago, Chicago
The Weaver, 1910
Oil on canvas
154. 4 x 99.8 cm
National Museums and Galleries of Wales
Peasants dancing [Khorovod (Round Dance)] 1910-11
Oil on canvas
92.0 (h) x 145.0 (w) cm
National Gallery of Australia, Canberra
Frost, 1910-11
Oil on canvas
Untitled pastel, c. 1911-1925
Pastel
Louisiana Museum for Moderne Kunst, Copenhagen
Rabbi with Cat, about 1912
Oil on canvas
100.20 x 92.00 cm
National Galleries of Scotland, Edinburgh
Electric Lamps, 1912
Oil on canvas
Musée d' Art Moderne (Centre Georges Pompidou), Paris
La machine à coudre, 1912
Oil on canvas
h: 28.1 x w: 19.6 in / h: 71.4 x w: 49.8 cm
The Cyclist, 1912-1913
Oil on canvas
Russian State Museum, St. Petersburg
La Forêt [The Forest], about 1913
Oil on canvas
53.80 x 81.00 cm
National Galleries of Scotland, Edinburgh
Rayonist Landscape (La Forêt), 1913
Oil on canvas
130 x 97 cm
Museo Thyssen-Bornemisza, Madrid
Cats (rayist percep.[tion] in rose, black, and yellow), 1913
Oil on canvas
84,4 x 83,8 cm
Guggenheim Museum, New York City
Portrait of Larionov, 1913
Oil on canvas
Composition, 1913-14
Oil on canvas
Magnolia, c. 1920
Oil on linen
h: 54.8 x w: 46 cm / h: 21.6 x w: 18.1 in
Paysage abstrait, c. 1925
Watercolor and gouache over pencil
h: 7.4 x w: 9.9 in / h: 18.8 x w: 25.1 cm
Abstrakte Komposition, 1930
Oil on coated cardboard
h: 24 x w: 19.8 in / h: 61 x w: 50.3 cm
.......................................................................................................
Em "Frost, 1910-11", figuras humans vagueiam ou trabalham nos campos gelados. A atmosfera de conto de fadas desta paisagem russa transmite a ingenuidade e encanto característicos do trabalho inicial de Goncharova. A natureza das personagens é algo infantil, ao passo que a redução da composição a formas geométricas simples se inspira na vanguarda parisiense de então. Goncharova produziu dxiversas obras dominadas pelas cores lisas e vivas, uitilizando o folclore russo como tema. Ela e o seu marido, o pintor Larionov, foram elementos-chave para os movimentos de vanguarda russos da primeira sécada do século XX. Em 1916 o casal abandonou a Rússia e instalou-se em Paris, onde Goncharova começou a desenhar cenários para o Ballet Russe de Diaghilev. Natalia Goncharova nasceu em Tula em 1881 e morreu em Paris em 1962.
....................................................................................................
Natalia Goncharova was born June 21, 1881, in Nagaevo, Russia. In 1892, she moved to Moscow to attend school. In 1900, she met Mikhail Larionov, who encouraged her to paint and became her lifelong companion. The following year, she enrolled at the Moscow Institute of Painting, Sculpture, and Architecture to study sculpture. Goncharova participated in an exhibition of Russian artists organized by Sergei Diaghilev at the 1906 Salon d’Automne in Paris. Her early work shows the influence of Impressionism [more], Fauvism [more], and Russian folk sculpture. Goncharova participated in numerous important exhibitions of new art in Moscow, including Jack of Diamonds (1910), The Donkey’s Tail (1912), and The Target (1913). While her early works were painted in Primitivist and Cubist styles, she adopted a Cubo-Futurist and Rayonist approach around 1912. Goncharova was represented at the second Blaue Reiter exhibition at Galerie Hans Goltz, Munich, in 1912 and the Erste deutsche Herbstsalon at the Der Sturm gallery in Berlin in 1913. Around this time, Goncharova and Larionov began their collaboration with Diaghilev and his Ballets Russes, which lasted until the impresario’s death in 1929. In 1917, they settled permanently in Paris, and the following year their work appeared in the exhibition L’Art décoratif théâtral moderne at the Galerie Sauvage, Paris. Goncharova showed extensively during the 1920s and 1930s, often with Larionov, in Europe, the United States, and Japan. Although she never abandoned painting, much of her creative energy was directed toward stage decoration and book illustration. She designed costumes, settings, and drop curtains for international presentations of modern and classical ballets until she was in her 70s. In 1938, Goncharova became a French citizen and in 1955 she married Larionov. The following year she was given a retrospective at the Galerie de l’Institut in Paris. Goncharova died October 17, 1962, in Paris.
Guggenheim Collection - Goncharova Biography
........................................................................................................
This entry was posted
on Terça-feira, Julho 03, 2007 at 8:56 PM.
You can skip to the end and leave a response.
» Enviar um comentário