Derain, André - Pós-Impressionismo/Fauvismo/Realismo
Enfant courant sur la plage, 1880
Oil on canvas
H. 0.245 ; L. 0.195
Musée d'Orsay, Paris, France
Pont de Charing Cross, 1901
Oil on canvas
H. 0.81 ; L. 1.00
Musée d'Orsay, Paris, France
Auto-portrait dans l'atelier
[Self-portrait in the studio] c.1903
Oil on canvas
42.2 (h) x 34.6 (w) cm
National Gallery of Australia, Canberra
At the Suresnes Ball, 1903
Oil on canvas
70 7/8 x 57 1/8 in. (180 x 145.1 cm)
Saint Louis Art Museum, Missouri
Landscape around Chatou, 1904-1905
Oil on canvas
54,2 x 65,2 cm
Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza
Port, circa 1905
Oil on canvas
62x73 cm
Hermitage Museum, Saint Petersburg, Russia
Le Cavalier au cheval blanc
[Knight on a white horse] c.1905
Oil on canvas
45.9 (h) x 37.9 (w) cm
National Gallery of Australia, Canberra
Henri Matisse, 1905
Oil on canvas
460 x 349 mm
Tate Gallery, London
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Fishing Boats, Collioure, 1905
Oil on canvas
31 7/8 x 39 1/2 in. (81 x 100.3 cm)
The Metropolitan Museum of Art, New York City
Fishing Boats, Collioure. 1905
Oil on canvas
15 1/8 x 18 1/4" (38.2 x 46.3 cm)
The Museum of Modern Art, New York City
Collioure, 1905
Oil on canvas
60.20 x 73.50 cm
National Galleries of Scotland, Edinburgh
Mountains at Collioure, 1905
Oil on canvas
81.3 x 100.3 cm (32 x 39 1/2 in.)
The National Gallery of Art, Washington D.C.
Landscape by the Sea: the Côte d'Azur near Agay, 1905
Oil on canvas
54.6 x 65 cm
National Gallery of Canada, Ottawa
Houses of Parliament at Night, 1905-06
Oil on canvas
31 x 39 in. (78.7 x 99.1 cm)
The Metropolitan Museum of Art, New York City
Charing Cross Bridge, London, 1905-06
Oil on canvas
32 1/8 x 39 5/8" (81.7 x 100.7 cm)
The Museum of Modern Art, New York City
The Table, 1906
Oil on canvas
94 x 85 cm
E.G. Bührle Collection, Zurich
Bacchic Dance, 1906
Watercolor and pencil on paper
19 1/2 x 25 1/2" (49.5 x 64.8 cm)
The Museum of Modern Art, New York City
L'Estaque, 1906
Oil on canvas
13 7/8 x 17 3/4" (35.3 x 45.1 cm)
The Museum of Modern Art, New York City
Bridge over the Riou, 1906
Oil on canvas
32 1/2 x 40" (82.6 x 101.6 cm)
The Museum of Modern Art, New York City
Waterloo Bridge, 1906
Oil on canvas
80,5 x 101 cm
Museo Thyssen-Bornemisza, Madrid
London: St. Paul's Cathedral seen from the Thames, 1906
Oil on canvas
39 1/4 x 32 1/4 in. (99.7 x 81.92 cm)
Minneapolis Institute of Arts, Minnesota
Charing Cross Bridge, London, 1906
Oil on canvas
80.3 x 100.3 cm (31 5/8 x 39 1/2 in.)
The National Gallery of Art, Washington D.C.
View of the Thames, 1906
Oil on canvas
73.3 x 92.2 cm (28 7/8 x 36 5/16 in.)
The National Gallery of Art, Washington D.C.
London Bridge, 1906
Oil on canvas
The Museum of Modern Art, New York City
The Pool of London, 1906
Oil on canvas
657 x 991 mm
Tate Gallery, London
Road in the Mountains, 1907
Oil on canvas
81x100 cm
Hermitage Museum, Saint Petersburg, Russia
Landscape near Cassis, 1907
Oil on canvas
18 1/8 x 21 5/8" (46 x 54.9 cm)
The Museum of Modern Art, New York City
Madame Derain in Green, 1907
Oil on canvas
28 3/4 x 23 5/8" (73 x 60 cm)
The Museum of Modern Art, New York City
Bathers, 1907
Oil on canvas
52" x 6' 4 3/4" (132.1 x 195 cm)
The Museum of Modern Art, New York City
Trees by a lake, le Parc de Carrieres-St-Denis, circa 1909
Oil on canvas
Height: 54.1 cm (canvas); Width: 65 cm (canvas)
Courtauld Institute of Art, London
The Church of Chatou, 1909
Oil on panel
34,5 x 35,7 cm
Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza
The Bagpiper, 1910-11
Oil on canvas
74 x 59 in. (188.0 x 149.9 cm)
Minneapolis Institute of Arts, Minnesota
Path in a Park with a Figure, between 1910 and 1914
Oil on canvas
12.5x12.5 cm
Hermitage Museum, Saint Petersburg, Russia
Portrait of a Man with a Newspaper (Chevalier X), 1911 - 1914
Oil on canvas
162.5x97.5 cm
Hermitage Museum, Saint Petersburg, Russia
Still Life with Earthenware Jug and White Napkin, circa 1912
Oil on canvas
61x50 cm
Hermitage Museum, Saint Petersburg, Russia
Valley of the Lot at Vers, 1912
Oil on canvas
28 7/8 x 36 1/4" (73.3 x 92.1 cm)
The Museum of Modern Art, New York City
Table and Chairs, 1912
Oil on canvas
88x86.5 cm
Hermitage Museum, Saint Petersburg, Russia
Cliffs, 1912
Oil on canvas
60.5x81 cm
Hermitage Museum, Saint Petersburg, Russia
The Grove, 1912
Oil on canvas
116.5x81.3 cm
Hermitage Museum, Saint Petersburg, Russia
Portrait of the Artist, c. 1912–14
Oil on canvas
45 1/16 x 34 3/8 in. (114.46 x 87.31 cm)
Minneapolis Institute of Arts, Minnesota
Still-life, c. 1912-1914
Oil on canvas
93.7 x 67.1 cm
National Gallery of Canada, Ottawa
Still Life, circa 1913
Oil on canvas
100.5x118 cm
Hermitage Museum, Saint Petersburg, Russia
Girl in Black, circa 1913
Oil on canvas
93x60.5 cm
Hermitage Museum, Saint Petersburg, Russia
Portrait of a Girl in Black, 1913
Oil on canvas
116.5x89.3 cm
Hermitage Museum, Saint Petersburg, Russia
Landscape with a Boat at the Bank, circa 1915
Oil on canvas
100x65 cm
Hermitage Museum, Saint Petersburg, Russia
The Road to Castel Gandolfo, circa 1921
Oil on canvas
62.5x50.8 cm
Hermitage Museum, Saint Petersburg, Russia
Still life, 1921-1922
Oil on canvas
87.2 x 124.5cm stretcher; 125.5 x 153.5 x 8.0cm frame
Art Gallery of New South Wales, Sydney, Australia
Landscape near Barbizon, circa 1922
Oil on canvas
708 x 727 mm
Tate Gallery, London
Le Beau Modèle, 1923
Oil on canvas
Musée de l'Orangerie, Paris
Arlequin et Pierrot, 1924
Oil on canvas
Musée de l'Orangerie, Paris
Guitarist, 1928
Oil on paper
12 3/4 x 8 in. (32.4 x 20.3 cm)
Saint Louis Art Museum, Missouri
Landscape, circa 1928-1930
Oil on canvas
46.3 x 65.1cm stretcher; 67.0 x 86.0 x 9.0cm frame
Art Gallery of New South Wales, Sydney, Australia
Woman with a Hat, 1934-1939
Oil on cradled wood panel
22 1/8 x 18 5/8 in. (56.1 x 47.3 cm.)
Hirshhorn Museum and Sculpture Garden, Washington D.C.
The Black Feather Boa, 1935
Oil on canvas
64 x 38 1/2 in. (162.6 x 97.8 cm)
The Metropolitan Museum of Art, New York City
The Painter and his Family, circa 1939
Le Peintre et sa famille
Oil on canvas
1765 x 1238 mm
Tate Gallery, London
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No quadro "The Pool of London, 1906", as cores vivas dançam e cintilam num embarcadouro do rio Tamisa. Ao longe a inconfundível silhueta da Torre de Londres. O artista transformou a cena num arco-íris de cores primárias, nitidamente aplicadas em blocos. A pincelada expontânea revela que Derain conhecia as técnicas do Impressionismo: assim, fez da cor o tema da sua pintura, tornando o cenário quase irrelevante. A sua insp+iração e a de um grupo de pintores que partilhava as suas ideias, advinha-lhe o desejo de trabalhar apenas com cores fortes. Quando expuseram pela primeira vez, foram chamados "fauves" (feras) pela forma "selvagem" como usavam a cor nas suas composições invulgares. Depois de 1908 começou a experimentar outros estilos. A influência de Cézanne, levou-o a uma tendência de colorido mais tranquilo e a um maior controle das suas obras. Em 1910, produz obras geométricas, de influência cubista. As suas últimas obras, posteriores a 1912, mostram a influência de muitos estilos, desde a arte francesa clássica à escultura africana e uma tendência cada vez maior para a pintura tradicional. André Derain nasceu em Chaton (FR) em 1880 e morreu em Garches (FR) em 1954.
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Andre Derain - Birth Year : 1880, Death Year : 1954 - André Derain was born in Châtou, a suburb of Paris. Excellent scholar that he was, Derain had first planned to become an engineer before suddenly deciding to study art at the Académie Julian. He shared a studio with his friend Vlaminck, painted with Matisse at Collioure near Marseilles, and was a frequent visitor to the ramshackle studios on the rue Ravignan, known as the Bateau Lavoir, where his friends Braque and Picasso worked. As a Fauve Derain was principally concerned with line and color and enjoyed squeezing tubes of bright color on his canvas, particularly pinks, blues, and violets. In and around 1908, Derain turned to the study of form and structure, and experimented with Cubism, Impressionism, and the styles of van Gogh, Gauguin, and Cezanne, in an effort to find a style that pleased him. An early interest in the Renaissance masters led him to a further study of paintings of the past and he went as far back as the Italian primitives and the Gothic masters. During his years of study he worked as a wood-engraver and illustrated many famous books, like Rabelais' "Pantagruel", a work indicative of his sensitivity to and understanding of the past. He also executed a great many sets and costumes for the Ballet Russe. In the later years of his career, after 1920, he painted brilliant still lives, classical landscapes, and some of the finest portraits of his day, although none of these were ever exhibited. Derain was a strange, moody, highly intellectual man who disliked the painting produced during his own lifetime to the extent that he retired to the country to live in almost complete solitude and seemed almost determined to be forgotten. Early in 1954, when Derain showed symptoms of eye trouble and mental incapacity, he was treated at a clinic near Paris until he became well enough to return home. Shortly thereafter he was hit by a car on his way home from a nearby garage. Derain died a few weeks later from shock.
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on Domingo, Julho 08, 2007 at 6:00 PM.
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1:38 AMEste blog é fabuloso. Que descoberta!
Parabéns!
4:26 AM
JRP tem razão. Venho aqui seguidamente pois adoro arte.
Qto. a Derain, vinha passando as telas que postaste e pensava que tinham algo de Cézanne - nas cores principalmente. Independente disso são maravilhosas as criações Fauvistas de Derain.
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