Rosenquist, James - Arte Pop
President Elect, 1960-1, 1964,
Oil on masonite
7 feet 5 3/4 inches by 12 feet
Musée National d'Art Moderne/Centre de Création Industrielle, Paris
Push Button, 1961
Oil on canvas
82 3/4 x 105 1/2 in. (210.2 x 268 cm)
The Museum of Contemporary Art, Los Angeles
I Love You with My Ford, 1961
Oil on canvas
6 feet 10 3/4 inches x 7 feet 9 1/2 inches
Moderna Museet, Stockholm
Hey! Let's Go for a Ride, 1961
Oil on canvas
34 1/8 x 35 7/8 inches
Private collection
Marilyn Monroe, I. 1962
Oil and spray enamel on canvas
7' 9" x 6' 1/4" (236.2 x 183.3 cm)
The Museum of Modern Art, New York City
Capillary Action, 1962
Oil on canvas
92 1/2 x 136 1/4 in. (235 x 346.1 cm)
The Museum of Contemporary Art, Los Angeles
Vestigial Appendage, 1962
Oil on canvas
72 x 93 1/4 in. (182.9 x 236.9 cm)
The Museum of Contemporary Art, Los Angeles
Smoked Glass, 1962
Oil on canvas
61 x 81,5 cm
Museo Thyssen-Bornemisza, Madrid
Study fot Marrilyn, 1962
Oil on canvas
95,2 x 91,5 cm
Ptrivate collection
Capillary Action II, 1963
Oil, plastic, neon tubing, metal, and wood
266.7 x 193 x 177.8 cm maximum irregular
National Gallery of Canada, Ottawa
Untitled (Broome Street Truck), 1963
Oil on canvas and attached canvas panel
6 x 6 ft.
Whitney Museum of American Art
Nomad, 1963
Oil on canvas, plastic, and wood
90 x 141"
Albright-Knox Art Gallery, Buffalo, New York
Shave, 1964
Oil on canvas
58 x 49 7/8 in. (147.3 x 126.7 cm)
The Museum of Contemporary Art, Los Angeles
High Pool, 1964-1966
Colour lithograph on wove paper
67.3 x 101.6 cm
National Gallery of Canada, Ottawa
Campaign, 1965
Lithograph, composition and sheet
29 5/8 x 22 7/16" (75.2 x 57 cm)
The Museum of Modern Art, New York City
Dusting Off Roses, 1965
Colour lithograph on wove paper with japan paper false margins
77.4 x 55.1 cm; image: 65 x 55 cm
National Gallery of Canada, Ottawa
For Love, 1965
Color photosilkscreen
35 3/8 x 27 1/8"
Museum of Fine Arts, Santa Fe, New Mexico
The Friction Disappears, 1965
Oil on canvas
48 1/8 x 44 1/4 in. (122.2 x 112.4 cm.) irregular
Smithsonian American Art Museum, Washington D.C.
Circles of Confusion, from the portfolio 11 Pop Artists, Volume I, 1965
Serigraph on paper
sheet and image: 23 7/8 x 20 in. (60.8 x 50.7 cm)
Smithsonian American Art Museum, Washington D.C.
Expo 67 Mural Firepole 33 X 17', 1967
Color lithograph on paper
33 1/8 x 17 in. (84.1 x 43.3 cm)
Smithsonian American Art Museum, Washington D.C.
Bunraku, 1970
Lithograph on Arches wove paper?
81.3 x 59.2 cm
National Gallery of Canada, Ottawa
Silver skies, 1970
Print colour lithograph
86.0 x 75.1 cm sheet
Art Gallery of New South Wales, Sydney, Australia
Spaghetti, 1970
Print colour lithograph
78.5 x 107.5 cm sheet
Art Gallery of New South Wales, Sydney, Australia
Busy signal, 1970
Print colour lithograph
40.2 x 53.7 cm sheet
Art Gallery of New South Wales, Sydney, Australia
Short ends,1970
Print colour lithograph
71.8 x 51.0 cm sheet
Art Gallery of New South Wales, Sydney, Australia
Pulling out, 1972
Colour Lithograph 26/39
65 cm x 76.5 cm
Tehran Museum of Contemporary Art, Iran
My Mind Is a Glass of Water, 1973
Colour lithograph on wove paper with japan paper borders
76.2 x 56.6 cm; image: 57.9 x 45.4 cm
National Gallery of Canada, Ottawa
Untitled, from the portfolio The New York Collection for Stockholm, 1973
Color lithograph on paper
image and sheet: 9 x 11 7/8 in. (22.9 x 30.3 cm)
Smithsonian American Art Museum, Washington D.C.
A Free For All, 1976
Lithograph and screenprint
25 3/4 x 19 5/8 in. (66.5 x 49.8 cm.)
Block Museum of Art at Northwestern University, Illinois
Artist Rights Today (Tide), 1976
Silkscreen
h: 30 x w: 22 in / h: 76.2 x w: 55.9 cm
Industrial Cottage, 1977
Oil on canvas
6 feet 9 inches x 15 feet 3 1/2 inches
Private collection
When a Leak..., 1982
11-color lithograph
109.9 x 137.2 cm (43 1/4 x 54 in.)
The National Gallery of Art, Washington D.C.
The Glass Wishes, Appearance, 1982
2-color aquatint, drypoint, and etching
85.1 x 67.3 cm (33 1/2 x 26 1/2 in.)
The National Gallery of Art, Washington D.C.
The Glass Wishes, Paper Head on a Nuclear Pillow, 1982
5-color aquatint
85.1 x 67.3 cm (33 1/2 x 26 1/2 in.)
The National Gallery of Art, Washington D.C.
The Glass Wishes, While the Earth Revolves at Night, 1982
5-color aquatint
85.1 x 67.3 cm (33 1/2 x 26 1/2 in.)
The National Gallery of Art, Washington D.C.
Fahrenheit 1982, 1982
Colored ink on mylar
33 1/8 by 71 1/2 inches
Whitney Museum of American Art
Welcome to the Water Planet, 1987
Oil on canvas
13 x 10 feet
Private collection
Lot #55 Untitled (Yellow Flowers), 1988
Oil on canvas in two parts
h: 208 x w: 213 cm / h: 81.9 x w: 83.9 in
Fireworks for President Clinton, 1996
5-color screenprint
71.1 x 71.1 cm (28 x 28 in.)
The National Gallery of Art, Washington D.C.
The Specific Target, 1996
Oil on canvas
121.9 x 121.9 cm
The Swimmer in the Econo-mist, 1997–98 (painting 3)
Oil on canvas, One of three panels
11 feet 6 inches x 9 feet 3 inches
Guggenheim Museum, New York City
Hitchhiker – Speed of Light, 1999
Lithograph
h: 36.2 x w: 42.5 in / h: 91.9 x w: 108 cm
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Em "Study fot Marrilyn, 1962", a surpreendente imagem seduz o espectador através das suas cores impetuosas e das suas conotações eróticas. Os artifícios visuais que Rosenquist utilizou são os dos anúncios de publicidade, o boca semiaberta, as unhas perfeitamente arranjadas e o batom, provocadoramente colocado, emitem sinais sugestivos. Contudo, estas imagens simplistas são contrariadas pela composição desconcertante da tela - por que é que metade do rosto (supostamente de Marilyn Monroe) está escondido atrás de um copo gigantesco? O quadro demonstra o poder da publicidade, que se tornou uma das pedras de toque das sociedades urbanas. A utilização que o artista faz do imaginário popular liga-o ao movimento da Arte Pop na América. Rosenquist tem credenciais irrepreensíveis como artista Pop: os seus primeiros anos foram passados a pintar cartazes e anúncios de gasolineiras. Voltou-se para a pintura como forma de expressão artística em 1960. James Rosenquist nasceu em Grand Forks (EUA) em 1933.
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Born in 1933 in Grand Forks, North Dakota, James Rosenquist studied art at the Minneapolis Institute of Arts as a teenager and at the University of Minnesota between 1952 and 1954, painting billboards during the summers. In 1955 he moved to New York to study at the Art Students League. He left the school after one year, and in 1957 returned to life as a commercial artist, painting billboards in Times Square and across the city. By 1960, he had quit painting billboards and rented a small studio space in Manhattan where his neighbors included artists Robert Indiana, Ellsworth Kelly, and Jack Youngerman. In 1962, he had his first solo exhibition at the Green Gallery in New York, and afterward was included in a number of groundbreaking group exhibitions that established Pop art [more] as a movement. Rosenquist achieved international acclaim with his room-scale painting, F-111 (1965). In addition to painting, he has produced a vast array of prints, drawings and collages; his print Time Dust (1992) is thought to be the largest print in the world, measuring seven by 35 feet. The artist has received numerous honors; he was selected as the Art in America Young Talent Painter in 1963, appointed to a six-year term on the Board of the National Council on the Arts in 1978, and nominated as a member of the American Academy and Institute of Arts and Letters in 1987. Since his first early career retrospectives in 1972 organized by the Whitney Museum of American Art and the Wallraf-Richartz-Museum, Cologne, he has been the subject of gallery and museum exhibitions in the U.S. and internationally. He continues to produce large-scale commissions, including the recent three-painting suite The Swimmer in the Econo-mist (1997–98) for Deutsche Guggenheim Berlin, and has a painting planned for the ceiling of the Palais de Chaillot in Paris. From his early days as a billboard painter to his recent masterful use of abstract painting techniques, Rosenquist has demonstrated his interest in and mastery of color, line, and shape that continues to dazzle audiences and influence younger generations of artists.
Guggenheim Collection - Rosenquist Biography
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