Magritte, René - Surrealismo
Dangerous Liaisons, 1926
Oil on canvas
72 x 64 cm
Private collection.
The Difficult Crossing, 1926
Oil on canvas
Jean Krebs Collection, Brussels
The Forest, 1926
Oil on canvas
Musée de l'art wallon, Liège
The Menaced Assassin. 1927
Oil on canvas
59 1/4 x 6' 4 7/8" (150.4 x 195.2 cm)
Museum of Modern Art, New York City
The Empty Mask, 1928
Oil on canvas
81.2 x 116.2 cm
National Museums and Galleries of Wales
Attempting the Impossible, 1928
Oil on canvas
105.6 x 81 cm
Private collection
The False Mirror, 1928
Oil on canvas
21 1/4 x 31 7/8" (54 x 80.9 cm)
Museum of Modern Art, New York City
The Reckless Sleeper, 1928
Le Dormeur téméraire
Oil on canvas
support: 1160 x 810 x 20 mm
Tate Gallery, London
The Lovers, 1928
Oil on canvas
21 3/8 x 28 7/8" (54 x 73.4 cm)
Museum of Modern Art, New York City
Man with a Newspaper, 1928
L'Homme au journal
Oil on canvas
frame: 1279 x 940 x 75 mm support: 1156 x 813 mm
Tate Gallery, London
The Palace of Curtains, III, Paris, 1928-29
Oil on canvas
32 x 45 7/8" (81.2 x 116.4 cm)
Museum of Modern Art, New York City
Le Miroir magique [The Magic Mirror], 1929
Oil on canvas
73.00 x 54.50 cm (framed: 91.80 x 73.00 x 7.00 cm)
National Galleries of Scotland, Edinburgh
Le Temps Menaçant (Threatening Weather), 1929
Oil on canvas
54.00 x 73.00 cm (framed: 94.30 x 73.00 x 10.20 cm)
National Galleries of Scotland, Edinburgh
The Annunciation, 1930
L'Annonciation
Oil on canvas
support: 1137 x 1459 mm frame: 1270 x 1586 x 70 mm
Tate Gallery, London
Voice of Space (La Voix des airs), 1931
Oil on canvas
72.7 x 54.2 cm
Guggenheim Museum, New York City
Les merveilles de la nature (The Wonders of Nature), 1932
Oil on canvas
30-1/2 x 38-5/8 in. (77.5 x 98.1 cm)
Museum of Contemporary Art, Chicago
La condition humaine, 1933
Oil on canvas
100 x 81 x 1.6 cm (39 3/8 x 31 7/8 x 5/8 in.)
National Gallery of Art, Washington D.C.
The Portrait, Brussels 1935
Oil on canvas
28 7/8 x 19 7/8" (73.3 x 50.2 cm).
Museum of Modern Art, New York City
The Red Model, 1935
Oil on canvas
74 x 50 cm
The Human Condition, 1935
Oil on canvas
Simon Spierer Collection, Geneva
La clef des champs, 1936
Oil on canvas
80 x 60 cm
Museo Thyssen-Bornemisza, Madrid
Le Drapeau noir [The Black Flag], 1937
Medium Oil on canvas
54.20 x 73.70 cm
National Galleries of Scotland, Edinburgh
La Représentation [Representation], 1937
Oil on canvas laid on plywood
48.80 x 44.50 cm (frame 54.00 x 49.20 cm)
National Galleries of Scotland, Edinburgh
The Spirit of Geometry, 1937
L'Esprit de géométrie
Gouache on paper
support: 375 x 292 mm frame: 555 x 455 x 33 mm
Tate Gallery, London
The Future of Statues 1937
L'Avenir des statues
Painted plaster
object: 330 x 165 x 203 mm relief
Tate Gallery, London
La Durée poignardée, 1938
Oil on canvas
57 3/8 x 38 1/8 inches (146 x 97 cm)
Art Institute of Chicago, Chicago
The Domain of Arnheim, 1938
Oil on canvas
28 5/8 x 39 1/4 inches (73 x 100 cm)
Public collection
Le baiser, 1938
Oil on canvas
60 x 74
Royal Museums of Fine Arts of Belgium
La Thérapeute, 1941
Gouache
18 5/8 x 12 1/4 inches (47.6 x 31.3 cm)
Public collection
The Companions of Fear, 1942
Oil on canvas
27 5/8 x 36 1/8 inches (70.4 x 92 cm)
Public collection
Lola de Valence, 1948
Gouache on white wove paper
18 1/8 x 14 7/8 in. (46.04 x 37.78 cm) (sheet)
Minneapolis Institute of Arts, Minnesota
The Empire of Light, II, 1950
Oil on canvas
31 x 39" (78.8 x 99.1 cm)
Museum of Modern Art, New York City
Perspective: Madame Récamier by David, 1951
Oil on canvas
60.5 x 80.5 cm
National Gallery of Canada, Ottawa
Gonconda, 1953
Oil on canvas
31 7/8 x 39 1/4 inches (81 x 100 cm)
Menil Collection, Houston, Texas
Empire of Light (L’Empire des lumières), 1953–54
Oil on canvas
195.4 x 131.2 cm
Guggenheim Museum, New York City
Le 16 Septembre (Tree with Cresent Moon), c.1955
Gouache
14 x 10 7/8 in. (35.56 x 27.62 cm) (sheet)
Minneapolis Institute of Arts, Minnesota
The Promenades of Euclid, 1955
Oil on canvas
64 1/8 x 51 1/8 in. (162.88 x 129.86 cm) (canvas)
Minneapolis Institute of Arts, Minnesota
Memory of a Voyage, 1955
Oil on canvas
63 7/8 x 51 1/4" (162.2 x 130.2 cm)
Museum of Modern Art, New York City
Le Chemin du Ciel, 1957
Oil on Canvas
50 cm x 60 cm
Tehran Museum of Contemporary Art, Iran
The Glass Key, 1959
Oil on canvas
50 7/8 x 63 3/4 inches (129.5 x 162 cm)
Menil Collection, Houston
Castle in the Pyrenees, 1959
Oil on canvas
200 x 140 cm
The Israel Museum. Jerusalen
Beautiful World, 1962
Oil on canvas
100 x 81 cm
Private collection
The Large Family, 1963
Oil on canvas
100 x 81 cm
Private collection
The Son of Man, 1964
Oil on canvas
116 x 89 cm
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Em "La condition humaine, 1933", um quadro de uma paisagem foi colocado num tripé, frente a uma janela. O tema é exactamente igual ao exterior, criando uma confusão entre a representação e o original. Através desta obra, Magritte questiona a distinção entre a ilusão e a realidade. O estilo meticuloso e frio, derivado do mundo da publicidade e da ilustração, acrescenta uma convicção próxima da de um documentário a esta estranha imagem, desafiando as nossas certezas visuais. O carácter ilusionístico e a atmosfera de sonho são próprios da sua versão individual do Surrealismo. Magritte tornou-se um dos líderes deste movimento depois de ter abandonado a Bélgica, em 1927, para se instalar em Paris, onde permaneceu durante três anos. As suas obras são frequentemente enigmáticas, jogando com a ambiguidade e a verdade visual. Acerca da sua própria obra, afirmou: «As pessoas que procuram significados simbólicos não conseguem captar a poesia e o mistério da imagem... As imagens têm de ser vistas tal como são.» René Magritte nasceu em Lessines (BEL) em 1898 e morreu em Bruxelas (BEL) em 1967.
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René François Ghislain Magritte was born on November 21, 1898, in Lessines, Belgium. He studied intermittently between 1916 and 1918 at the Académie Royale des Beaux-Arts in Brussels. Magritte first exhibited at the Centre d Art in Brussels in 1920. After completing military service in 1921, he worked briefly as a designer in a wallpaper factory. In 1923 he participated with Lyonel Feininger, El Lissitzky, László Moholy-Nagy, and the Belgian Paul Joostens in an exhibition at the Cercle Royal Artistique in Antwerp. In 1924 he collaborated with E. L. T. Mesens on the review Oesophage. In 1927 Magritte was given his first solo exhibition at the Galerie le Centaure in Brussels. Later that year the artist left Brussels to establish himself in Le Perreux-sur-Marne, near Paris, where he frequented the Surrealist circle, which included Jean Arp, André Breton, Salvador Dalí, Paul Eluard, and Joan Miró. In 1928 Magritte took part in the Exposition surréaliste at the Galerie Goemans in Paris. He returned to Belgium in 1930, and three years later was given a solo show at the Palais des Beaux-Arts in Brussels. Magritte's first solo exhibition in the United States took place at the Julien Levy Gallery in New York in 1936 and the first in England at the London Gallery in 1938. He was represented as well in the 1936 Fantastic Art, Dada [more], Surrealism exhibition at the Museum of Modern Art in New York. Throughout the 1940s Magritte showed frequently at the Galerie Dietrich in Brussels. During the following two decades he executed various mural commissions in Belgium. From 1953 he exhibited frequently at the galleries of Alexander Iolas in New York, Paris, and Geneva. Magritte retrospectives were held in 1954 at the Palais des Beaux-Arts in Brussels and in 1960 at the Museum for Contemporary Arts, Dallas, and the Museum of Fine Arts in Houston. On the occasion of his retrospective at the Museum of Modern Art in New York in 1965, Magritte traveled to the United States for the first time, and the following year he visited Israel. Magritte died on August 15, 1967, in Brussels, shortly after the opening of a major exhibition of his work at the Museum Boymans-van Beuningen in Rotterdam.
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This entry was posted
on Quinta-feira, Março 01, 2007 at 12:33 AM.
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2:44 PMSem Palavras.
Um abraço e haja por este belo blog que aqui tem.
12:25 AM
Very nice blog!! I hope you don´t mind I linked it to my own.
Also used some of your Magritte´s images in one of my posts! I really admire his work!
Nat
http://nataliatamini.blogspot.com/
12:50 PM
Falar de um gênio como Magritte é difícil . Um artista dotado de grande técnica aliada a uma visão muito peculiar que criou um universo próprio para seu trabalho . Mais do que pintar , Magritte imaginou um mundo que só ele viu ,com todas as imponderabilidades que imaginou .Sua obra é tão personalista , à semelhança de Renoir ,Van Gogh e Dali , para citar apenas alguns ,que mesmo nos deparando com um quadro que ainda não conhecemos , sabemos quem é seu autor . Nota 1000 é pouco .
11:27 PM
"O estilo meticuloso e frio, derivado do mundo da publicidade e da ilustração, acrescenta uma convicção próxima da de um documentário a esta estranha imagem..."
Será mm derivado do mundo da publicidade e da ilustração?..
11:28 PM
Este comentário foi removido pelo autor.
8:22 PM
Magritte é fascinante, é dos meus favoritos, tal como ele diz: os seus quadros não se devem tentar perceber, embora sempre que eu olhe para eles tente perceber o que lá está. Às vezes nem está lá nada, é uma maneira inteligente de mostrar que nem tudo pode/tem de ser percebido
3:52 AM
René me passa esse choque de realidade
principalmente no quadro
La Durée poignardée, 1938
Isso é puro surrealismo.
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