Dali, Salvador - Surrealismo
Desnudo en un paisaje, 1922-1923
Oil on board
51.6 x 50.1 cm
Fondación Gala-Salvador Dalí
Composición satírica, 1923
Watercolor on board
138 x 105 cm
Museo Nacional Centro de Arte Reina Sofia. Madrid
Still Life, 1924
Oil on canvas
52 x 40 cm
Private collection
Muchacha en la ventana (la hermana del artista), 1925
Oil on board
105 x 74,5 cm
Reina Sofía National Museum, Madrid
Woman's Head, 1926
Oil on canvas
100 x 100 cm
Fundación Gala-Salvador Dalí
The Dream, 1926
Oil on canvas
100 x 100 cm.
Félix Labisse Collection, New York
Bird-Fish, 1926
Oil and sand on wood
61 x 49 cm
Private collection
Arlequín, 1927
il on canvas
196,5 x 150 cm
Reina Sofía National Museum, Madrid
Tres figuras, 1927
Oil on canvas
148 x 198 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid
Oiseau (Bird), 1928
Oil, sand, pebbles and shingle on board
49.70 x 61.00 cm
National Galleries of Scotland, Edinburgh
The Accommodations of Desire, 1929
Oil and cut-and-pasted printed paper on cardboard
8 3/4 x 13 3/4 in. (22.2 x 34.9 cm)
Metropolitan Museum of Art, New York City
Illumined Pleasures, 1929
Oil and collage on composition board
9 3/8 x 13 3/4" (23.8 x 34.7 cm)
Museum of Modern Art, New York City
Vértigo, 1930
Oil on canvas
60 x 50 cm
Private collection
The Persistence of Memory, 1931
Oil on canvas
9 1/2 x 13" (24.1 x 33 cm)
Museum of Modern Art, New York City
Birth of Liquid Desires (La Naissance des désirs liquides), 1931–32
Oil and collage on canvas
96.1 x 112.3 cm
Guggenheim Museum, New York City
Retrospective Bust of a Woman, 1933 (some elements reconstructed 1970)
Painted porcelain, bread, corn, feathers, paint on paper, beads, ink stand, sand, and two pens
29 x 27 1/4 x 12 5/8" (73.9 x 69.2 x 32 cm)
Museum of Modern Art, New York City
The Little Theater, 1934
Wood and glass, painted
12 3/4 x 16 3/4 x 12 1/4" (32.3 x 42.5 x 31.1 cm)
Museum of Modern Art, New York City
Portrait of Gala, 1935
Oil on wood
12 3/4 x 10 1/2" (32.4 x 26.7 cm)
Museum of Modern Art, New York City
Femme à tête de roses, 1935
Oil on wood
35 x 27 cm
Kunsthaus Zurich
Le Signal de l'angoisse (The Signal of Anguish), 1936
Oil on wood
21.80 x 16.20 cm
National Galleries of Scotland, Edinburgh
Lobster telephone (Aphrodisiac telephone), 1936
Painted plaster, telephone
18.0 (h) x 30.5 (w) x 12.5 (d) cm
National Gallery of Australia, Canberra
Forgotten Horizon, 1936
Oil on wood
222 x 267 mm
Tate Gallery, London
Autumnal Cannibalism, 1936
Oil on canvas
651 x 651 mm
Tate Gallery, London
Perspectives (Prénomination des perspectives paranoïques par les structures molles), 1936/37
Oil on canvas
65 x 65.5 cm
Kunstmuseum Basel, Switzerland
Metamorphosis of Narcissus 1937
Métamorphose de Narcisse
Oil on canvas
511 x 781 mm
Tate Gallery, London
Aphrodisiac Telephone, 1938
Plastic, metal
8 1/4 x 12 1/4 x 6 1/2 in. (20.96 x 31.12 x 16.51 cm)
Minneapolis Institute of Arts, Minnesota
Mountain Lake 1938
Oil on canvas
730 x 921 mm
Tate Gallery, London
El momento sublime, 1938
Oil on canvas
38 x 47 cm
Staatsgallerie Stuttgart. Stuttgart
Apparition of Face and Fruit Dish on a Beach, 1938/39
Oil on canvas
45 x 56 5/8 in.
Wadsworth Atheneum Museum of Art, Connecticut
Honey is Sweeter than Blood, 1941
Oil on canvas
20 x 24" (50.8 x 60.9cm)
Santa Barbara Museum of Art, California
Dream Caused by the Flight of a Bee around a Pomegranate a Second before Waking up, 1944
Oil on panel
51 x 41 cm
Museo Thyssen-Bornemisza, Madrid
La tentation de saint Antoine, 1946
Oil on canvas
89,5 x 119,5
Royal Museums of Fine Arts of Belgium
Tête Raphaëlesque éclatée (Exploding Raphaelesque Head), 1951
Oil on canvas
43.20 x 33.10 cm (framed: 67.60 x 57.80 x 8.90 cm)
National Galleries of Scotland, Edinburgh
"Corpus hypercubicus", 1954
Oil on canvas
194.5 x 124 cm
The Metropolitan Museum of Art, New York City
Madonna, 1958
Oil on canvas
88 7/8 x 75 1/4 in. (225.7 x 191.1 cm)
Metropolitan Museum of Art, New York City
Rosa meditativa, 1958
Oil on canvas
36 x 28 cm
Arnold Grand Colecction. New York
Portrait of Juan de Pareja, the Assistant to Velázquez, 1960
Oil on canvas
29 1/4 x 34 3/4 in. (74.3 x 88.27 cm)
Minneapolis Institute of Arts, Minnesota
The Milky Way, 1964
Print colour etching
39.5 x 49.7cm platemark; 56.2 x 76.3cm sheet
Art Gallery of New South Wales, Sydney, Australia
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Don Quichotte á la Gidoulle (étude), 1964
Mixed media
16¾" x 12¼"
Oglethorpe University Museum, Georgia
Untitled, 1969
Oil on canvas
57 x 44 cm
Private collection
King of Aragon, 1973
Intaglio print on paper
483 x 356 mm
Tate Gallery, London
Charles (Red) Grooms
Brooke Alexander and Marlborough Graphics, 1980
Three-dimensional color lithograph and screenprint on Arches Cover paper (white and black), Rives BFK Journal paper, Japanese paper, and vinyl, cut out, glued, and mounted on white painted backing board; framed and covered with a Plexiglas dome
26 1/4 x 27 1/2 x 13 in. (66.68 x 69.85 x 33.02 cm)
Minneapolis Institute of Arts, Minnesota
The Pearl, 1981
Oil on canvas
140 x 100 cm
Fundación Gala-Salvador Dalí
Olé, 1982
Oil on canvas
60 x 73 cm
Fundación Gala-Salvador Dalí
Cama, silla y mesita de noche atacando ferozmente a un violoncelo, 1983
Oil on canvas
Private collection
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Em "A persistência da Memória, 1931", três relógios derretidos, todos marcando horas diferentes, encontram-se na paisagem misteriosa de Lligat, no Nordeste de Espanha, onde Dali passou a sua infância. Dali afirmou que os relógios derretidos se inspiravam num queijo camembert, para o qual ele estava aolhar numa noite em que trabalhava sobre o quadro. A sua maleabilidade pode ter também um significado sexual, sobretudo no caso do relógio do centro, a cobrir a rocha que se transformou no rosto do autor. A obra reflecte o interesse de Dali pela ciência moderna, especialmente pela teoria da realatividade de Einstein, que tinha destruído as noções do tempo e do espaço. O seu estilo exprime perfeitamente a experiência perturbadora dos sonhos e a sua obra, abrangendo desde a pintura à escultura e aos filmes, foi inicialmente bem recebida pelos surrealistas. Sempre provocativo, Dali impregnou a sua obra de referências ao sexo e à violência, obcecado por tudo o que era proibido pela sociedade convencional. Dali nasceu em Figueras (ESP) em 1904 e morreu na mesma cidade em 1989.
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Salvador Dalí was born Salvador Felipe Jacinto Dalí y Domenech in the Catalan town of Figueras, Spain, on May 11, 1904. In 1921 he enrolled in the Real Academia de Bellas Artes de San Fernando in Madrid, where he became a friend of Federico García Lorca and Luis Buñuel. His first solo show was held in 1925 at the Galeries Dalmau in Barcelona. In 1926 Dalí was expelled from the Academia and the following year he visited Paris and met Pablo Picasso. He collaborated with Buñuel on the film Un Chien andalou in 1928. At the end of the year he returned to Paris and met Tristan Tzara and Paul Eluard. About this time Dalí produced his first Surrealist publications and illustrated the works of Surrealist writers and poets. His first solo show in the United States took place at the Julien Levy Gallery in New York in 1933.
Dalí was censured by the Surrealists in 1934. Toward the end of the decade he made several trips to Italy to study the art of the sixteenth and seventeenth centuries. In 1940 Dalí fled to the United States, where he worked on theatrical productions, wrote, illustrated books, and painted. A major retrospective of his work opened in 1941 at the Museum of Modern Art in New York and traveled throughout the United States. In 1942 Dalí published his autobiography and began exhibiting at M. Knoedler and Co. in New York. He returned to Europe in 1948, settling in Port Lligat, Spain. His first paintings with religious subjects date from 1948–49. In 1954 a Dalí retrospective was held at the Palazzo Pallavicini in Rome and in 1964 an important retrospective of his work was shown in Tokyo, Nagoya, and Kyoto. He continued painting, writing, and illustrating during the 1960s. The Salvador Dalí Museum in Cleveland was inaugurated in 1971, and the Dalinian Holographic Room opened at M. Knoedler and Co., New York, in 1973. In 1980 a major Dalí retrospective was held at the Musée National d’Art Moderne, Centre Georges Pompidou, in Paris, and his work was exhibited at the Tate Gallery, London. The artist died on January 23, 1989, in Figueras.
Guggenheim Collection - Dalí Biography
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