Ray, Man - Fotografia Dadaísta-Surrealista
Self-Portrait Assemblage, 1916
Gelatin silver print
3 3/4 x 2 3/4 in.
J. Paul Getty Museum, Los Angeles
Compass, 1920
Gelatin silver print
11.7 x 8.6 cm (4 5/8 x 3 3/8 in.)
The Metropolitan Museum of Art, New York City
Woman Smoking a Cigarette, 1920
Gelatin silver print
3 3/8 x 2 11/16 in.
J. Paul Getty Museum, Los Angeles
Anxiety, 1920
Gelatin silver print
3 11/16 x 4 3/4 in.
J. Paul Getty Museum, Los Angeles
Belle Haleine, 1921
Gelatin silver print
8 13/16 x 7 in.
J. Paul Getty Museum, Los Angeles
Rayograph, 1921 print ca. 1963
Gelatin silver print
28.9 x 21.8 cm.
Eastman House Museum of Photography & Film, Rochester, New York
The Marquise Casati, 1922
Gelatin silver print
4 11/16 x 3 1/2 in.
J. Paul Getty Museum, Los Angeles
Marcel Proust on His Deathbed, 1922
Gelatin silver print
5 15/16 x 7 13/16 in.
J. Paul Getty Museum, Los Angeles
Untitled Rayograph: From the Portfolio "Les Champs Délicieux", 1922
Gelatin silver print
8 9/16 x 6 3/4 in.
J. Paul Getty Museum, Los Angeles
Untitled Rayograph (Net and Shavings), 1924
Gelatin silver print
15 11/16 x 11 3/4 in.
J. Paul Getty Museum, Los Angeles
Le Violon d'Ingres, 1924
Gelatin silver print
11 5/8 x 8 15/16 in.
J. Paul Getty Museum, Los Angeles
Clock Wheels, 1925
Rayograph
11 1/8 x 9 in. (28.3 x 22.9 cm)
Yale University Art Gallery, New Haven, Connecticut
Barbette Applying Makeup, 1926
Gelatin silver print
8 5/8 x 6 7/16 in.
J. Paul Getty Museum, Los Angeles
Noire et Blanche, 1926
Gelatin silver print
4 3/8 x 3 1/16 in.
J. Paul Getty Museum, Los Angeles
Noir et Blanche, 1926
Gelatin silver print
6 3/4 x 8 7/8" (17.1 x 22.5 cm).
The Museum of Modern Art, New York
Gertrude Stein and Jo Davidson with Portrait Sculpture, 1926
Gelatin silver print
11 1/2 x 9 1/4 in.
J. Paul Getty Museum, Los Angeles
Rayograph, 1926 print ca. 1963
Gelatin silver print
26.7 x 21.5 cm.
Eastman House Museum of Photography & Film, Rochester, New York
Rayograph, 1927 print ca. 1963
gelatin silver print
29.1 x 23.2 cm.
Eastman House Museum of Photography & Film, Rochester, New York
Sleeping Woman, 1929
Gelatin silver print (solarized)
6 1/2 x 8 1/2" (16.5 x 21.6 cm).
The Museum of Modern Art, New York
Calla Lilies 1930
Gelatin silver print, solarized
11 7/16 x 8 15/16 in.
J. Paul Getty Museum, Los Angeles
Georges Braque, 1930
Gelatin silver print
11 3/4 x 9 1/16 in.
J. Paul Getty Museum, Los Angeles
La Priére (Prayer), 1930
Gelatin silver print
9 7/16 x 7 1/8 in.
J. Paul Getty Museum, Los Angeles
Electricity - Bathroom (Electricite - Salle de Bain), 1931
Photogravure
10 1/4 x 8 1/16 in.
J. Paul Getty Museum, Los Angeles
La Tête, 1931
Gelatin silver print
11-1/8 x 7-7/8 in.
Corcoran Gallery of Art, Washington D.C.
Tears, 1930 - 1932
Gelatin silver print
9 x 11 3/4 in.
J. Paul Getty Museum, Los Angeles
Gisèle Prassinos Reading her Poems to the Surrealists, 1934
Silver gelatine print
17.70 x 22.70 cm
National Galleries of Scotland, Edinburgh
Butterflies, 1930 - 1935
Three-color carbon transfer print
9 1/4 x 11 1/4 in.
J. Paul Getty Museum, Los Angeles
Profile and Hands, 1932
Gelatin silver print
7 1/16 x 9 in.
J. Paul Getty Museum, Los Angeles
Self-Portrait with Camera, 1932
Gelatin silver print (solarized)
11 1/2 x 9 in.
J. Paul Getty Museum, Los Angeles
Interior, 1932
Gelatin silver print
11 3/4 x 8 13/16 in.
J. Paul Getty Museum, Los Angeles
Female Head, 1932 - 1935
Two-color carbon print, applied pigment, pencil
7 13/16 x 5 3/8 in.
J. Paul Getty Museum, Los Angeles
Still Life, 1933
Three-color carbon transfer print
12 1/16 x 9 3/8 in.
J. Paul Getty Museum, Los Angeles
Mathematical Object, 1934
Gelatin silver print
9 1/8 x 11 5/8 in.
J. Paul Getty Museum, Los Angeles
Collage, print 1935, collage later
Gelatin silver print
5 7/8 x 4 5/16 in.
J. Paul Getty Museum, Los Angeles
Juliet with Headdress, 1940 - 1941
Gelatin silver print
6 1/2 x 4 5/8 in.
J. Paul Getty Museum, Los Angeles
A Day and Night, 1941
Gelatin silver print with ink
9 5/8 x 7 3/4 in.
J. Paul Getty Museum, Los Angeles
Dead Leaf, 1942
Gelatin silver print
9 1/2 x 7 13/16 in.
J. Paul Getty Museum, Los Angeles
Optical Exercise I, 1942
Gelatin silver print
11 x 13 15/16 in.
J. Paul Getty Museum, Los Angeles
Juliet in Mud Mask, 1945
Gelatin silver print
14 x 10 11/16 in.
J. Paul Getty Museum, Los Angeles
Masks, 1946
Gelatin silver print
6 11/16 x 4 11/16 in.
J. Paul Getty Museum, Los Angeles
Juliet in a Blonde Wig, 1950 - 1951
Gelatin silver print
5 5/8 x 4 1/8 in.
J. Paul Getty Museum, Los Angeles
.....................................................................................................
Man Ray começou a trabalhar em 1911 como pintor e escultor e teve contactos íntimos com a arte vanguardista da Europa. Em 1915, começou a voltar-se para a fotografia, trabalhando como fotógrafo independente, realizador de cinema e pintor. Em 1917, foi co-fundador do Grupo Dada de Nova Iorque. Em 1921, foi para Paris, onde trabalhou de perto com os surrealistas. Para além das suas actividades artísticas, aceitou projectos comerciais, especialmente nas áreas do retrato e na fotografia de moda. Regressou aos Estados Unidos em 1940, onde viveu 10 anos em Hollywood e onde deu aulas de pintura e fotografia. Em 1951, voltou a Paris, permanecendo aí até à sua morte. Man Ray é considerado um dos pioneiros mais importantes da fotografia contemporânea. Juntamente com Lee Miller, desenvolveu o processo de solarização, que usou sobretudo em retrato, mas também em fotografias de nus. Com as suas "radiografias", proporcionou um importante ímpeto à fotografia sem máquina. A amizade com artistas de vanguarda do seu tempo abriu as portas para o reconhecimento da fotografia no contexto artístico. Man Ray, de nome verdadeiro Emmanuel Rudnitzky, Nasceu em Filadélfia (EUA) em 1890 e morreu em Paris (FR) em 1976.
........................................................................................................
Born Emmanuel Radnitzky, Man Ray grew up in America but spent the greater part of his life as an migr in Paris. Working in several media, Man Ray's art includes painting, sculpture, collage, constructed objects and photography. Beginning in 1921, he received hundreds of commissions for portraits and commercial work which were featured in publications such as Vogue, Vu, Bazaar and Vanity Fair. He was an American, but worked in Paris from 1921 to 1940. His assistants included Berenice Abbott and Lee Miller, and Duchamp, Stieglitz, Picasso and Dali were among his colleagues. A member of the Dada art movement and the only American member of the Paris Surrealist movement, Man Ray considered himself an artist and thought of photography as a medium of artistic expression when used for more than reproduction. In describing his work, Man Ray once said, "I paint what can not be photographed. I photograph what I do not wish to paint."
..........................................................................................................
This entry was posted
on Domingo, Fevereiro 11, 2007 at 11:28 PM.
You can skip to the end and leave a response.
3:33 AMEra o artista a que esperava com ânsia...
Cada obra dele vale por mil...mas há muitas outras dele também.
Agradeço JG por ter postado estas.
Considerações.
X.
11:48 PM
Obrigado, Doutor. Gosto de o ver por aqui.
Um abraço
1:57 AM
linda seleccion de imagenes, me encuentro haciendo en estos momentos una galeria de fotos de el, dentro de poco tiempo la voy a publicar en www.rodrigo0.com.ar si queres podes pasar a verla.
saludos, felicidades, y un abrazo.
1:01 PM
Thanks for the nice post!
Free PS3
8:33 AM
The anti-anxiety medicine xanax is wholly capable of facilitating your war against anxiety as it is the most widely recognized medication to treat anxiety disorders, especially generalized anxiety disorders and altogether Xanax can treat a whole lot of anxieties related to panic disorders and depression. Before you move on to administer Xanax and treat your anxiety, get hold of Xanax tidbits from the site http://www.pill-care.com
11:35 AM
You made some good points there. I did a search on the topic and found most people will agree with your blog.
Blogger how when you visit my site,my Site created for men's health,
Here the best method for you and get the best Penis Enlargement Pills today.
4:14 PM
Tive a sorte sendo filha do pintor Augusto Barros, amigo íntimo do casal Man Ray e Juliet conhecê-los pessoalmente no atelier de Paris. Tenho algumas fotografias do Man Ray assinadas e dedicadas assim como dois objectos pessoais dele. Um anel Dinh Van e o cordão que sempre usava. Se algum coleccionador estiver interessado o meu contacto está no site do meu pai www.augustobarros.com
» Enviar um comentário