Haring, Keith - Arte Pop
Keith Haring drawing in the New York City subway in 1981
Untitled, 1978
Felt-tip Pen and Watercolor on Paper
7 1/8 x 9 7/8 inches
18.1 x 25.1 cm
Collection The Estate of Keith Haring
Untitled, 1980
Sumi ink and spraypaint on poster board
48 x 63 1/2 in
Collection The Estate of Keith Haring
Glory Hole, 1980
Acrylic, Spray Enamel, and Ink on Paper
48 x 35 1/2 inches
121.9 x 90.2
Collection The Estate of Keith Haring
Untitled, 1981
Sumi ink on vellum
42 x 46 3/4 in
Private collection
Untitled, 1981
Acrylic on Vinyl
96 x 96 inches
244 x 244 cm
Collection The Estate of Keith Haring
Untitled, 1981
Acrylic on Vinyl
96 x 96 inches
244 x 244 cm
Collection The Estate of Keith Haring
Untitled, 1982
Vinyl paint on vinyl tarpaulin
144 x 144 in
Private collection
Untitled, 1982
vinyl paint on vinyl tarp
73 x 69 inches
185.42 x 175.26 cm
Collection The Estate of Keith Haring
Untitled, 1982
Vinyl Ink on Vinyl Tarp
72 x 72 inches
182.88 x 182.88 centimeters
Collection The Estate of Keith Haring
Untitled, 1983
Vinyl Ink on Vinyl Tarpaulin
72 x 72 inches
183 x 183 cm
Collection The Estate of Keith Haring
Untitled, 1983
Vinyl Ink on Vinyl Tarpaulin
120 x 120 inches
305 x 305 cm
Collection The Estate of Keith Haring
Untitled, 1984
Acrycli on muslin tarpaulin
120 x 180 in
Private collection
Cruella De Vil, 1984
Acrylic on Canvas
60 x 60 inches
152.4 x 152.4 cm
Collection The Estate of Keith Haring
St. Sebastian, 1984
Acrylic on Canvas
60 x 60 inches
152.4 x 152.4 cm
Collection The Estate of Keith Haring
Untitled, 1985
Acrylic on canvas
48 x 48 in
Private collection
Micheal Stewart - USA for Africa, 1985
Enamel and Acrylic on Canvas
116 x 144 1/2 inches
295 x 367 cm
Collection The Estate of Keith Haring
The Ten Commandments 1, 1985
Acrylic, oil on canvas
17.5 x 25 feet
Untitled, 1986
acrylic and oil canvas
96 x 96 inches
243.84 x 243.84 cm
Collection The Estate of Keith Haring
Untitled, 1986
acrylic and oil canvas
96 x 144 inches
243.84 x 365.76
Collection The Estate of Keith Haring
Untitled, 1986
Oil, Acrylic on Canvas
96 x 96 inches
243.84 x 243.84 cm
Collection The Estate of Keith Haring
Untitled, 1986
Oil and Acrylic on Canvas
96 x 192 inches
243.8 x 487.7 cm
Collection The Estate of Keith Haring
Knokke, 1987
Acrylic on Canvas
39 1/2 x 39 1/2 inches
100 x 100 cm
Collection The Estate of Keith Haring
Red, Yellow, and Blue, 1987
Acrylic on Canvas
72 x 72 inches
182.9 x 182.9 cm
Collection The Estate of Keith Haring
Untitled (for Cy Twombly), 1988
Acrylic on canvas
36x 36 in
Collection The Estate of Keith Haring
Self Portrait with Juan, 1988
Acrylic on canvas
48 x 36 inches
Collection The Estate of Keith Haring
Untitled, 1988
acrylic on canvas
120 x 120 inches
304.8 x 304.8 cm
Collection The Estate of Keith Haring
Monkey Puzzle, 1988
acrylic on canvas
120 inch diameter
304.8 centimeter diameter
Collection The Estate of Keith Haring
Untitled, 1989
Acrylic on canvas
39 1/2 x 39 1/2 in
Private collection
Mom, 1989
acrylic on canvas
60 x 60 inches
152.4 x 152.4 cm
Collection The Estate of Keith Haring
Silence = Death, 1989
acrylic on canvas
40 x 40 inches
101.6 x 101.6 cm
Collection The Estate of Keith Haring
Untitled, 1989
Acrylic on Canvas
70 3/4 x 94 1/2 inches
180 x 240 cm
Collection The Estate of Keith Haring
Untitled, 1990
Paint on BMW
Collection The Estate of Keith Haring
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Em "Monkey Puzzle, 1988", figuras encaixadas com a forma de macacos e de cores berrantes assemelham-se ao tipo de imagens encontradas nas gravuras primitivas. Plenos de energia e alegria, os macacos estão envolvidos numa dança ritual de prazer comum. Trabalhando em Nova Iorque, Haring inspirou-se na agitação e confusão da vida na grande cidade. Embora com formação em Arte, ele abnegou às técnicas tradicionais e optou pela arte dos grafitti cada vez mais sofisticada, dirigindo-se directamente ao público na linguagem de rua. Começando por preencher os espaços negros vazios dos placares publicitários do metro com as suas originais personagens animais e humanas, acabou por atrair a atenção das galerias de arte comerciais e dos museus. Contudo, Haring continuou a criar obras para espaços públicos, bem como trabalhos com fins que não a exposição em galerias, como por exemplo as ilustrações para livros de crianças, T-shirts e crachás. Nos seus Body-paitings (quadros corporais) também experimentou o próprio corpo como suporte de criação. Keith Haring nasceu em Kutztown, PA (EUA) em 1958 e morreu em Nova Iorque (EUA) em 1990.
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Born in Philadelphia, Keith Haring studied at both the Ivy School of Art in Pittsburgh and the New York School of Visual Arts. Under the encouragement of Keith Sonnler and Joseph Kossuth, Haring began to experiment in Conceptualism. Even more of his inspiration came from comic strips, cartoons, and the graffiti that he saw in the New York streets. Haring spent sometime actually contributing to the graffiti, covering advertisements with chalk and markers. In the 1980’s, he expanded to commercial art, printing his primitive figures and forms on t-shirts, badges, posters, and murals.
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on Sexta-feira, Fevereiro 16, 2007 at 12:25 AM.
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11:00 PMÓtimo acervo de um grande artista contemporâneo que lutava contra os preconceitos impostos pelo mundo pós-moderno e prezava a liberdade do ser humano.
3:35 AM
Obrigado pela matéria!
Pena que Haring teve que ir cedo!
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