Warhol, Andy - Arte Pop
Water Heater - 1961
Casein on canvas
44 3/4 x 40" (113.6 x 101.5 cm)
The Museum of Modern Art, New York
Do-It-Yourself (Flowers) - 1962
Synthetic polymer paint, Prestype and pencil on canvas
69 x 59 inches (175 x 150 cm)
Daros Exhibitions, Zurich, Switzerland
A Boy for Meg - 1962
oil on canvas
182.9 x 132.1 cm (72 x 52 in.)
The National Gallery of Art, Washington D.C.
Big Torn Campbell’s Soup Can (Vegetable Beef) - 1962
Acryl auf Leinwand
183 x 137 cm
Kunsthaus Zurich
Campbell’s Condensed Tomato Soup - 1962
Oil on canvas
30 x 23 cm
Kunstmuseum St.Gallen, Switzerland
Red Liz - 1962
Synthetic polymer paint and silk screen ink on canvas
40 in. x 40 in. (101.6 cm x 101.6 cm)
San Francisco Museum of Modern Art
Blue Liz as Cleopatra - 1963
Silkscreen ink and synthetic polymer paint on canvas
82 1/4 x 65 inches (209 x 165 cm)
Daros Exhibitions, Zurich, Switzerland
Orange Disaster #5 - 1963
Acrylic and silkscreen enamel on canvas
106 x 81 1/2 inches
Guggenheim Museum, New York
Elvis - 1963
Synthetic polymer paint screenprinted onto canvas
208.0 (h) x 91.0 (w) cm
National Gallery of Australia, Canberra
Double Elvis - 1964
Silkscreen and synthetic polymer on canvas
unconfirmed: 2070 x 2083 mm
Tate Gallery, London
Birmingham Race Riot - 1964
serigraph on Bristol board, with japan paper borders
50.9 x 60.8 cm
National Gallery of Canada, Ottawa
Flowers - 1964
Silk screen on canvas
47 1/8 x 46 1/8 x 1 in. (119.7 x 117.2 x 2.5 cm)
Yale University Art Gallery, New Haven, Connecticut
Campbell’s Soup - 1965
Acrylic on canvas.
Milwaukee Art Museum, Wisconsin
Corporate Trade Ad - ca. 1965-1970
Silkscreen on canvas mounted on paperboard mounted on fiberboard
30 x 32 in. (76.2 x 81.3 cm.)
Smithsonian American Art Museum, Washington D.C.
Self-Portrait - 1966
Silkscreen ink on synthetic polymer paint on nine canvases
Each canvas 22 1/2 x 22 1/2" (57.2 x 57.2 cm)
Overall 67 5/8 x 67 5/8" (171.7 x 171.7 cm)
The Museum of Modern Art, New York
Untitled from Marilyn Monroe (Marilyn) - 1967
One from a portfolio of ten screenprints
Composition and sheet: 36 x 36" (91.5 x 91.5 cm)
The Museum of Modern Art, New York
from Marilyn (P07121-P07130; complete)
[no title] 1967
Screenprint on paper
910 x 910 mm
Tate Gallery, London
Marilyn Monroe - 1967
Serigraph
37 1/2 x 37 1/2 in
Chazen Museum of Art at the University of Wisconsin
Electric chair - 1967
synthetic polymer paint screenprinted onto canvas
137.2 (h) x 185.1 (w) cm
National Gallery of Australia, Canberra
Vegetarian Vegetable from Campbell's Soup II - 1969
Screenprint
35 x 23 in. (88.9 x 58.4 cm)
The Metropolitan Museum of Art, New York
Mao Tse-tung 1972
Colour serigraph on wove paper (one of ten)
Printed by Styria Studio
91.4 x 91.4 cm
National Gallery of Canada, Ottawa
from Mao Tse-Tung (P77073-P77082; complete)
[no title] 1972
Screenprint on paper
914 x 914 mm
Tate Gallery, London
Mao - 1973
Acrylic and silkscreen on canvas
448.3 x 346.7 cm
Art Institute of Chicago
Mick Jagger - 1975
Silkscreen ink on synthetic polymer paint on canvas
101.6 x 101.6 cm (40 x 40 in.)
Museum of Fine Arts, Boston
Helen / Harry Morales for "Ladies and Gentlemen" - 1975
Polaroid Polacolor print
3 3/4 x 2 7/8 in.
J. Paul Getty Museum, Los Angeles
Portrait of Maurice - 1976
Synthetic polymer paint and silkscreen ink on canvas
65.80 x 81.40 cm
National Galleries of Scotland, Edinburgh
Hammer and Sickle - 1976
Silkscreen ink on synthetic polymer paint on canvas
10' x 13' 4" (304.8 x 406.4 cm)
The Museum of Modern Art, New York
American Indian Series (Russel Means) - 1976
Acrylic and silkscreen on canvas
84 x 70 inches
Dayton Art Institute, Ohio
Oxidation Painting - 1978
Urine on metallic pigment in acrylic pigment on canvas
193 x 132.1 cm (76 x 52 in.)
Museum of Fine Arts, Boston
Paul Jenkins - 1979
Acrylic and silkscreen on canvas
40 X 40" (101.60 x 101.60 cm.)
Signed, on reverse
Butler Institute of American Art, Ohio
Self-Portrait - 1979
Polaroid Polacolor print
32 1/4 x 22 in.
J. Paul Getty Museum, Los Angeles
Portrait of Joseph Beuys - 1980
Synthetic polymer paint and silkscreen ink on canvas
50.80 x 40.60 cm
National Galleries of Scotland, Edinburgh
Gertrude Stein - 1980
Color screenprint
101.4 x 81.4 cm / 40 x 32 in. (sheet)
Block Museum of Art at Northwestern University, Illinois
Self-Portrait (in Drag) - 1981
Polaroid print
4 1/4 x 3 3/8 inches
Guggenheim Museum, New York
Wayne Gretzky 99 - 1984
serigraph on card
101.6 x 83.3 cm
National Gallery of Canada, Ottawa
Queen Elizabeth II of the United Kingdom - 1985
Screenprint on paper
unconfirmed: 1000 x 795 mm
Tate Gallery, London
Self-Portrait - 1986
Silkscreen ink on synthetic polymer paint on canvas
106 x 106 inches
Guggenheim Museum, New York
Untitled from Camouflage - 1987
One from a portfolio of eight screenprints
Composition & sheet: 38 x 38" (96.5 x 96.5 cm)
The Museum of Modern Art, New York
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Em "Campbell’s Condensed Tomato Soup - 1962", a imagem brilhantemente colorida de uma lata de sopa Campbell faz parte de uma série produzida sobre o mesmo tema. Warhol começou por pintar cada imagem à mão, mas depois passou a imprimi-las, fixando um stencil a um ecrã esticado sobre uma moldura e forçando a cor através das zonas da tela que estão a descoberto. Ao produzir em massa imagens de objectos do quotidiano como, por exemplo, esta lata de sopa, ele criticou tanto a autoria como a validade do facto de ser o único do género. Ao repetir o mesmo motivo, ele também conseguiu uma distância estética da sua obra. Ele baptizou a sua elegante galeria/estúdio com o nome de "A Fábrica". Através de diversos temas - Marilyn Monroe, Jackie Kennedy, conflitos raciais e a cadeira eléctrica - Warhol pretendeu desmistificar grandes temas tais como a fama e a morte. Também fez inúmeros filmes e foi o empresário da banda de rock de culto Velvet Underground. Sendo um brilhante auto-promotor, ele transformou-se num enigma. Teve uma enorme influência em gerações posteriores de artistas. Andy Warhol nasceu em Pitsburg (EUA) em 1928 e morreu em Nova Iorque em 1987.
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on Segunda-feira, Janeiro 22, 2007 at 12:04 AM.
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2:55 AMCara lindo lindo esse teu post, me apropriei de uma parte dele mas ta linkado na pagina e no corpo do meu blog, seu blog é nota dez! valeu!
4:48 AM
Olá. Prazer eu sou brasileira, moro em Porto Alegre. Achei super legal a idéia do blog, assim que eu colocar os meus links estará linkado. Também me apropriei de uma imagem do Richard Diebenkorn, caso tenha algum problema por favor mande-me um e-mail.
11:37 AM
As latas de sopa e as Marilyn toda a gente conhece, assim como alguns dos auto-retratos.
Ainda assim, as Flores (do-it-yourself) e a Camuflagem, por exemplo, são novidade para mim.
Claro que também o texto explicativo que acompanha as mostras, me traz sempre mais informção preciosa.
JG, muito grata.
9:28 PM
what a talent!
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