Hartley, Marsden - Modernismo Americano
Storm Clouds, Maine - 1906-1907
Oil on canvas
30 x 25 x inches
Walker Art Center, Minnesota
Mountain Lake—Autumn, circa 1910
Oil on canvas
12 x 12 in.
The Phillips Collection, Washington D.C
Military - 1913
Oil on canvas
Wadsworth Atheneum Museum of Art, Connecticut
The Aero - 1914
Oil on canvas, without frame
100.3 x 81.2 cm (39 1/2 x 32 in.)
National Gallery of Art, Washington D.C.
Portrait of a German Officer - 1914
Oil on canvas
68 1/4 x 41 3/8in. (173.4 x 105.1cm)
Metropolitan Museum of Art, New York City
Painting No. 50 - 1914–15
Oil on canvas
47 x 47 in. (119.4 x 119.4 cm)
Terra Foundation for American Art, Chicago
Berlin Abstraction - 1914/1915
Oil on canvas
32 x 26 in.
Corcoran Gallery of Art, Washington D.C.
Still Life—Calla Lilies - 1920
Oil on canvas board
The Newark Museum, New Jersey
Still Life - 1920
Oil on canvas
32.25 x 24.125 inches
Walker Art Center, Minnesota
Landscape No. 5 - 1922/1923
Oil on canvas
58.4 x 90.2 cm (23 x 35 1/2 in.)
National Gallery of Art, Washington D.C.
Shell - 1929
Oil on composition board
18 x 15 in. (45.7 x 38.1 cm)
Ringling Museum of Art, Florida
Cascade of Devotion, Mexico - 1932
Oil on panel
27 x 23
Berkeley Art Museum
Popocatepetl, Spirited Morning, Mexico - 1932
Oil on board
25 x 29 in. (63.5 x 73.7 cm)
Smithsonian American Art Museum
Yliaster (Paracelsus) - 1932
Oil on paperboard mounted on particleboard
25 1/4 x 28 1/2 in. (64.1 x 72.4 cm.)
Smithsonian American Art Museum
Sea View, New England, 1934
Oil on academy board
12 x 16 in.
The Phillips Collection, Washington D.C.
Gardener's Gloves and Shears, circa 1937
Oil on canvas board
15 7/8 x 20 in.
The Phillips Collection, Washington D.C
Off to the Banks, between 1936 and 1938
Oil on canvas board
11 3/4 x 15 7/8 in
The Phillips Collection, Washington D.C.
After the Storm, Vinalhaven - 1938-9
Oil on academy board
22 1/16 x 28 1/16 inches
Bowdoin College Museum of Art, Maine
Cleophas, Master of the "Gilda Grey" - 1938-1939
Oil on board
27.75 x 21.75 inches
Walker Art Center, Minnesota
Birds of the Bagaduce - 1939
Oil on board
28 X 22" (71.12 x 55.88 cm.)
Butler Institute of American Art, Ohio
Wood Lot, Maine Woods, 1939
Oil on canvas
28 1/8 x 22 in.
The Phillips Collection, Washington D.C.
Waterfall, Morse Pond - ca. 1940
Oil on board
22 in. x 28 in.
Art Gallery of the University of Rochester, New York
Madawaska - 1940
Oil on board
1001,6 x 76,2 cm
Private collection
Lobster on Black Background -1940-1941
Oil on fiberboard
22 x 28 in. (55.9 x 71.1 cm)
Smithsonian American Art Museum
Mount Katahdin, Maine - 1942
Oil on hardboard
76 x 101.9 cm (30 x 40 1/8 in.)
National Gallery of Art, Washington D.C.
Off the Banks at Night, 1942
Oil on hardboard
30 x 40 in.
The Phillips Collection, Washington D.C.
Wild Roses - 1942
Oil on hardboard
22 x 28 in.
The Phillips Collection, Washington D.C.
Fisherman's Family - n.d.
Oil on canvas
40 in. x 30 in. (101.6 cm x 76.2 cm)
Crocker Art Museum, California
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A dominar a composição (Madawaska - 1940) encontra-se a figura larga de um homem com uma presença marcante. Sentado resolutamente com as mão sobre as pernas, o relevo da sua forma destaca-se através da luz que bate no lado esquerdo, representada pelo amarelo forte nos eus ombro, mão e peito. O esquema de cores fortes inspira-se no Expressionismo, que explorava o valor emotivo da cor, ao passo que a simplificação da forma se aproxima do Cubismo. Hartley pertenceu ao círculo da vanguarda americana de pintores que exibiam na famosa galeria 291, cujo dono era o fotógrafo Alfred Stieglitz. Stieglitz encorajou Hartley a procurar influências da Europa, levando o artista a viajar até Paris, em 1912, onde assimilou o Cubismo. Prosseguiu para berlim, em busca de inspiração, onde bebeu da obra de Kandinsky e Jawlensky, tendo exibido, em 1913, com o Der Blaue Reiter, um grupo de pintores expressionistas. Os últimos anos de Hartley foram passados em França, Itália, Alemanha e Novo México. Marsden Hartley nasceu em Lewiston, ME (EUA) e morreu em Ellworth, ME (EUA) em 1943.
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on Sexta-feira, Janeiro 05, 2007 at 12:04 AM.
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11:55 PMFora eu rica, Senhor, e comprava STILL LIFE - both of them.
Mas tenho a imensa satisfação de ver aqui o que não posso comprar.
Possuir, afinal, não é o que importa, vamos lá repôr a verdade dos factos!
Importante é chegar a conhecer.
JG, ainda e sempre, muito grata.
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