Dubuffet, Jean - Arte Pop / Arte Bruta
A Widow - 1943
Oil on canvas
36 x 28 3/4 in. (91.4 x 73 cm)
The Metropolitan Museum of Art, New York
A View of Paris with Furtive Pedestrians - 1944
Oil on canvas
The Metropolitan Museum of Art, New York
The Violinist [Le Violoniste] from the Marionettes
de la ville et de la campagne series - 1944
Oil on canvas
23 3/4 x 28 3/4" (60.4 x 73 cm)
The Museum of Modern Art, New York.
Childbirth - March 1944
Oil on canvas
39 3/8 x 31 3/4" (99.8 x 80.8 cm)
Museum of Modern Art, New York
Grand Jazz Band (New Orleans) - December 1944
Oil and tempera on canvas
45 1/8 x 57 3/4" (114.6 x 146.7 cm)
Museum of Modern Art, New York
Snack for Two [Casse-croûte à deux] from the Mirobolus,
Macadam et Cie/Hautes Pâtes series - 1945
Oil on canvas
29 1/8 x 24 1/8" (74 x 61.2 cm)
The Museum of Modern Art, New York
Woman Grinding Coffee - 1945
Plaster, oil, tar, and sand on canvas
45 3/4 x 35 in. (116.2 x 88.9 cm)
The Metropolitan Museum of Art, New York
Supervielle, Large Banner Portrait - 1945
Oil on canvas
130.2 x 97.2 cm
The Art Institute of Chicago
Apartment Houses, Paris, 1946
Oil with sand and charcoal on canvas
44 7/8 x 57 3/8 in. (114 x 145.7 cm)
The Metropolitan Museum of Art, New York
Léautaud, Redskin-Sorcerer - November 1946
Oil on canvas with pebbles and gravel
36 1/4 x 28 3/4" (92.1 x 73 cm).
Museum of Modern Art, New York
Will to Power - January 1946
Oil, pebbles, sand, and glass on canvas
45 3/4 x 35 inches
Guggenheim Museum, New York
Dhotel nuance d'abricot - 1947
Oil on canvas
45 1/2 x 35 in. (116 x 89 cm)
Private Collection
Triumph and Glory - December 1950
Oil on canvas
51 x 38 inches
Guggenheim Museum, New York
Fleshy Face with Chestnut Hair (Châtaine aux hautes chairs) - August 1951
Oil-based mixed-media on board
64.9 x 54 cm
Guggenheim Museum, Ney York
Tumultuous Landscape -June 1952
Ink on paper
18 3/4 x 23 7/8" (47.5 x 60.5 cm)
Museum of Modern Art, New York
Butterfly-Wing Figure - October 1953
Butterfly wings and gouache on paperboard
9 7/8 x 7 5/16 in. (25.0 x 18.5 cm.)
Hirshhorn Museum and Sculpture Garden, Washington D.C.
The Cow with the Subtile Nose - September 1954
Oil and enamel on canvas
35 x 45 3/4" (88.9 x 116.1 cm)
Museum of Modern Art, New York
Jardin de Bibi Trompette (Bibi Trompette's Garden) - 1955
Butterfly wings, gouache, and watercolor on wove paper mounted to paperboard
22.07 x 32.07 cm (8 11/16 x 12 5/8 in.)
The National Gallery of Art, Washington D.C.
Cloudy Weather (Temps Nuageux) - 1955
Ink and collage
20 -1/4 x 26 -1/2
Berkeley Art Museum + Pacific Film Archive
Mother-of-Pearl Garden - 1956
Cut pieces of previously painted oils on canvas pasted on canvas
15 x 24 1/2 in. (38.1 x 62.2 cm)
The Metropolitan Museum of Art, New York
Door with Couch Grass - October 31, 1957
Oil on canvas with assemblage
74 1/2 x 57 1/2 inches
Guggenheim Museum, New York
Villa sur la route [Villa by the Road] - 1957
Oil on canvas
81.30 x 100.30 cm
National Galleries of Scotland, Edinburgh
Beard Garden, 1959
Torn printed papers pasted on paper
20 x 13 1/2 in. (50.8 x 34.3 cm)
The Metropolitan Museum of Art, New York
Soul of the Underground. Vence - December 1959
Oil on aluminum foil on composition board
58 7/8" x 6' 4 3/4" (149.6 x 195 cm)
Museum of Modern Art, New York
Figure, Black Background - October 3, 1961
Ink on paper
13 1/4 x 9 7/8" (33.5 x 25.0 cm)
Museum of Modern Art, New York
Gare Montparnasse Porte des Lilas - 1961
Gouache, Pen and Ink and Pencil
50 cm x 66 cm
Tehran Museum of Contemporary Art, Iran
Nez carotte (Carrot Nose) - 1961, published 1962
Lithograph, composition
23 13/16 x 14 15/16" (60.5 x 37.9 cm)
Museum of Modern Art, New York
Baba Solstice - May 1, 1961
Gouache, watercolor, brush, pen and ink, and pencil on paper
19 3/4 x 26 3/8" (50.0 x 66.8 cm)
Museum of Modern Art, New York
Typewriter III - 1964
Felt-tipped pen and ballpoint pen on paper
8 3/8 x 10 5/8" (21.0 x 26.9 cm)
Museum of Modern Art, New York
Nimble Free Hand to the Rescue (Main leste et rescousse) - 1964
Acrylic on canvas
1499 x 2007 mm
Tate Gallery, London
Stairs III. 1966
Felt-tipped pen on paper
10 x 6 1/2" (25.2 x 16.5 cm)
Museum of Modern Art, New York
Vicissitudes (Les Vicissitudes) - 1977
Acrylic on paper and canvas
2100 x 3390 mm
Tate Gallery, London
Idioplasm VI - 1984
Acrylic on paper, mounted on linen
39 5/8 x 26 3/4 in. (100.6 x 68.0 cm.)
Hirshhorn Museum and Sculpture Garden, Washington D.C.
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Asas de borboleta cobrem uma figura tosca (Butterfly-Wing Figure - October 1953) que olha directamente para o obsrvador. A caricatura feita de colagens é característica do estili naif de Dubuffet. O recurso a materiais atípicos como o vidro, fragmentos de tecido, botões e areia para dotar as suas imagens de uma confrontalidade rudimentar, aproxima-o vagamente do Informalismo. Interessado em alcançar as origens subconscientes da actividade mental e em "homenagear" o primitivo contra o "civilizado", Dubuffet procurou alternativas ao retrato, utilizando o corpo como uma espécie de paisagem. Contribuiu significativamente para a rotura das interpretações tradicionais da arte ocidental, reunindo obras de psicóticos e inventando a expressão "Art Brut" (Arte Bruta), trabalho primário, não afectado pela cultura, produzido por pessoas estranhas ao mundo da arte, sobretudo crianças e doentes mentais. Jean Dubuffef nasceu em Le Havre em 1901 e morreu em Paris em 1985.
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Jean Dubuffet was born July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn’s book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then, Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942. Dubuffet’s first solo exhibition was held at the Galerie René Drouin, Paris, in 1944. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton. His style and subject matter in this period owed a debt to Paul Klee. From 1945, he collected Art Brut [more], spontaneous, direct works by untutored individuals, such as mental patients. The Pierre Matisse Gallery gave him his first solo show in New York in 1947. From 1951 to 1952, Dubuffet lived in New York. He then returned to Paris, where a retrospective of his work took place at the Cercle Volney in 1954. His first museum retrospective occurred in 1957 at the Schloss Morsbroich, Leverkusen. Dubuffet exhibitions were subsequently held at the Musée des Arts Décoratifs, Paris, in 1960–61; the Museum of Modern Art, New York, and the Art Institute of Chicago in 1962; Palazzo Grassi, Venice, in 1964; the Tate Gallery, London, and Stedelijk Museum, Amsterdam, in 1966; and the Solomon R. Guggenheim Museum, New York, in 1966–67. A collection of Dubuffet’s writings, Prospectus et tous écrits suivants, was published in 1967, the same year he started his architectural structures. Soon thereafter, he began numerous commissions for monumental outdoor sculptures. In 1971, he produced his first theater props, the “practicables.” A Dubuffet retrospective was presented at the Akademie der Kunst, Berlin, the Museum Moderner Kunst, Vienna, and the Joseph-Haubrichkunsthalle, Cologne, in 1980–81. In 1981, the Solomon R. Guggenheim Museum observed the artist’s 80th birthday with an exhibition. Dubuffet died May 12, 1985, in Paris.
Guggenheim Collection - Dubuffet Biography
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on Sexta-feira, Janeiro 19, 2007 at 10:03 PM.
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2:11 PMJardin de Bibi Trompette
A Widow - 1943
Grand Jazz Band (New Orleans)
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É permitido destacar, não é, Mestre?
Há sempre subjectividade, bem sei!
"Arte Bruta" - a leiga, aqui, sempre aprendendo!
11:55 PM
Eu destacaria o que já disse e o Supervielle. Este último pela crueza com que o artista retrata a derrocada do rosto.
Foi Dubuffet que chamou de "Arte Bruta" à sua obra. A meu ver uma definição perfeita.
Obrigado, Testa Alta.
Bom fim de semana
10:51 PM
Muito obrigada por este blogue!
Gostei MUITO de Dubuffet, não conhecia.
Passarei a visitar!
1:21 AM
no primeiro semestre desse ano, vi algumas imagens magníficas do Dubuffet feitas nas 3 viagens que fez à África. Procuro incessantemente esses trabalhos e não encontro nem em livros, nem na net. Se achar, por favor me avise
beijinhos
MaRegina
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