Matisse, Henri (-Émile-Benoît) - Fauvismo
Male Model, 1900
Oil on canvas
99.3 x 72.7 cm
The Museum of Modern Art, New York CIty
The Blue Jug, 1900
Oil on canvas
59.5 x 73.5 cm
Pushkin Museum, Moscow, Russia
Studio under the Eaves - 1903
Oil on canvas
Fitzwilliam Museum PHAROS Website, Cambridge, UK
Notre-Dame, une fin d'après-midi - 1902
Oil on paper mounted on canvas
72.5 x 54.5 cm (28 1/2 x 21 1/2 in)
Albright-Knox Art Gallery, Buffalo, NY
Madame Matisse - 1905
Oil and tempera on canvas
40.5 x 32.5 cm (15 7/8 x 12 7/8 in)
Royal Museum of Fine Arts, Copenhagen
Open Window, 1905
Oil on canvas
Private collection
Le bonheur de vivre - 1905-06
Oil on canvas
175 x 241 cm (69 1/8 x 94 7/8 in)
Barnes Foundation, Merion, PA
Flowers in a Pitcher - 1906
Oil on canvas
21 1/2 x 18 in
Barnes Foundation
Mme Matisse: Madras Rouge - Summer 1907
Oil on canvas
99.4 x 80.5 cm (39 1/8 x 31 3/4 in)
Barnes Foundation, Merion, PA
The Girl with Green Eyes, 1908
Oil on canvas
66 x 50,8 cm
Museum of Fine Arts, San Francisco
Dance - 1910
Oil on canvas
260 x 391 cm
Hermitage Museum, Saint Petersburg, Russia
Le Rifain assis - Late 1912 or early 1913
Oil on canvas
200 x 160 cm (78 3/4 x 63 in)
Barnes Foundation, Merion, PA
Dance - 1912
Oil on canvas
75-1/2 x 45-3/8 in. (191.8 x 115.3 cm)
Metropolitan Museum of Art, New York City
Landscape Viewed from a Window, 1912
Oil on canvas
115 x 80 cm
Pushkin Museum, Moscow, Russia
L'Italienne- 1916
Oil on canvas
45 15/16 x 35 1/4 inches
Solomon R. Guggenheim Museum, New York
La leçon de musique - 1917
Oil on canvas
244.7 x 200.7 cm (96 3/8 x 79 in)
Barnes Foundation, Merion, PA
Laurette with Coffee Cup, 1917
Oil on canvas
65 x 53 cm
Kunstmuseum Solothurn. Dübi-Müller Foundation
Two Figures Reclining in a Landscape - 1921
Oil on canvas
15 x 18 3/8 in
Barnes Foundation
Vénitienne - 1922/23
Oil on canvas
Art Gallery of the University of Rochester, New York
Decorative Figure on an Ornamental Ground, 1926
Oil on canvas
130 x 98 cm
Centre Georges Pompidou, Paris, France
Still Life with Green Sideboard, 1928
Oil on canvas
81,5 x 100 cm
Centre Pompidou, Paris, France
Le Grand Nu Gris, 1929
Oil on canvas
102 x 81 cm
Private collection
Two Dancers, 1938
Paper cutouts and thumbtacks
Private collection
La Musique - 1939
Oil on canvas
115.2 x 115.2 cm (45 3/8 x 45 3/8 in)
Albright-Knox Art Gallery, Buffalo, NY
La liseuse sur fond noir, 1939
Oil on canvas
92 x 73,5 cm
Centre Georges Pompidou, Paris, France
The Dream, 1940
Oil on canvas
81 x 65 cm
Private collection
The Cowboy, From Jazz, Tériade, París, 1947
Pochoir, printed in color
Sheet 42.2 x 65.6 cm
The Museum of Modern Art, New York City
Deux fillettes, fond jaune et rouge - 1947
Oil on canvas
61 x 49.8 cm (24 x 19 3/8 in)
Barnes Foundation, Merion, PA
Nu bleu IV - 1952
Matisse Museum, Nice, France
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Num dos seus quadros mais conhecidos, A Dança de 1910, cinco figuras cor-de-rosa dançam alegremente, formando um circulo. Elas viram o corpo de um lado para o outro, embrenhadas no ritmo da dança. Parecem mover-se tão depressa que a mão esquerda da mulher no centro do quadro e em primeiro plano se soltou. O esquema de cores vivas e a liberdade expressiva das mulheres enquadram-se na gama de cores e no hedonismo descomprometido próprios do Fauvismo, de que Matisse foi o expoente máximo. "Fauve" significa «animal selvagem» e foi um termo aplicado depreciativamente à obra de Matisse., por parte de um crítico de arteindignado com a utilização das cores garridas. O seu fascínio pela arte e pelos téxteis do Próximo Oriente deu origem a um estilo exótico decorativo, que muitas vezes imcorporava superfícies fortemente padronizadas. Junto com Picasso, Matisse é considerado por muitos o grande génio artístico do século XX. O uso revolucionário que deu à cor para evocar emoções inspiraria as gerações de pintores que se seguiram. Henri Matisseem Le Cateau-Cambrésis, França, em 1869 e morreu em Nice em 1954.
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Henri-Emile-Benoît Matisse was born on December 31, 1869, in Le Cateau–Cambrésis, France. He grew up at Bohain-en-Vermandois and studied law in Paris from 1887 to 1888. By 1891, he had abandoned law and started to paint. In Paris, Matisse studied art briefly at the Académie Julian and then at the Ecole des Beaux-Arts with Gustave Moreau. In 1901, Matisse exhibited at the Salon des Indépendants in Paris and met another future leader of the Fauve movement, Maurice de Vlaminck. His first solo show took place at the Galerie Vollard in 1904. Both Leo and Gertrude Stein, as well as Etta and Claribel Cone, began to collect Matisse’s work at that time. Like many avant-garde artists in Paris, Matisse was receptive to a broad range of influences. He was one of the first painters to take an interest in “primitive” art. Matisse abandoned the palette of the Impressionists and established his characteristic style, with its flat, brilliant color and fluid line. His subjects were primarily women, interiors, and still lifes. In 1913, his work was included in the Armory Show in New York. By 1923, two Russians, Sergei Shchukin and Ivan Morosov, had purchased nearly 50 of his paintings. From the early 1920s until 1939, Matisse divided his time primarily between the South of France and Paris. During this period, he worked on paintings, sculptures, lithographs, and etchings, as well as on murals for the Barnes Foundation, Merion, Pennsylvania, designs for tapestries, and set and costume designs for Léonide Massine’s ballet Rouge et noir. While recuperating from two major operations in 1941 and 1942, Matisse concentrated on a technique he had devised earlier: papiers découpés (paper cutouts). Jazz, written and illustrated by Matisse, was published in 1947; the plates are stencil reproductions of paper cutouts. In 1948, he began the design for the decoration of Chapelle du Rosaire at Vence, which was completed and consecrated in 1951. The same year, a major retrospective of his work was presented at the Museum of Modern Art, New York, and then traveled to Cleveland, Chicago, and San Francisco. In 1952, the Musée Matisse was inaugurated at the artist’s birthplace of Le Cateau–Cambrésis. Matisse continued to make large paper cutouts, the last of which was a design for the rose window at Union Church of Pocantico Hills, New York. He died on November 3, 1954, in Nice.
Guggenheim Collection - Matisse Biography
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on Quinta-feira, Novembro 30, 2006 at 1:27 AM.
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11:15 PMDELISIOSO este teu blog
10:51 AM
Acredite ou não, o nu da mulher Azul é dos meus preferidos de Matisse. Sou uma ignorante nesta (e noutras) matéria, nem sei se esta obra se pode considerar representativa, na sua essência, do fauvismo.
Contudo, os rótulos não me importam, mas sim a relação pessoal que consigo estabelecer com a obra.
Obrigada, JG, por tudo o que aqui me vai dando a beber.
Perdoe-me a expressão, mas há dias em que saio embriagada.
3:40 AM
Me encantou ver Dance em uma versão de 1912, eu não conhecia. Faria bem aos olhos acrescentar aqui o Harmonie Rouge, que me encanta. Obrigada pelo conteúdo, já devidamente anexo em meus favoritos.
Abs,
Bianca
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