Dufy, Raoul - Fauvismo
Place de la Concorde, nd
Oil on canvas
46.5 x 55.3 cm
Private collection
Baigneuse, n.d.
Color etching and aquatint
The University of Michigan Museum of Art
Le Pantheón et Saint-Etiénne-du-Mont, 1903-06
Oil on canvas
65 x 79,5 cm
George B. and Jenny R. Mathews Fund
Portrait of Suzanne Dufy, the Artist's Sister - 1904
Oil on canvas
46x33 cm
Hermitage Museum, Saint Petersburg, Russia
The Fish Market, Marseille, c. 1904-1905
Oil on canvas
54 x 65 cm
Museo Thyssen-Bornemisza, Madrid, Spain
The Little Palm Tree, 1905
Oil on canvas
91,5 x 79 cm
Museo Thyssen-Bornemisza, Madrid, Spain
Travelling Show - 1906
Oil on canvas
55 x 60 cm.
E.G. Bührle Collection, Zurich
The Beach at Sainte-Adresse, 1907
Oil on canvas
23 3/4 x 28 3/4 in. (60.3 x 73 cm)
Saint Louis Art Museum, Missouri
Le bateau a voile - 1907-1908
Graphite, watercolour on paper
17.1x23.3 cm
Courtauld Institute of Art, London, UK
Paysage jaune et rouge - c. 1908
La place de Sainte-Adresse
Oil on canvas
54.0 x 65.0 cm
Art Gallery of New South Wales, Sydney, Australia
Still-life with Bananas, 1909
Oil on canvas
81,3 x 64,8 cm
Museo Thyssen-Bornemisza, Madrid, Spain
Saint-Cloud, 1919
Oil on canvas
72 x 60 cm
Musée de Grenoble, France
The Baou de Saint-Jeannet, 1923
Oil on canvas
645 x 806 mm
Tate Gallery, London
Fenêtre ouverte à Saint-Jeannet - c. 1926/1927
Gouache on paper
656 x 507 mm
Tate Gallery
Marie Max, 1927
Watercolor on paper
59,5 x 39,4 cm
Musée des Beaux-Arts, Lyon, France
La Grand Baigneuse (The Large Bather), c. 1927
Oil on canvas
Weatherspoon Art Museum at The University of North Carolina, Greensboro
Nu au coquillage - c. 1927
Watercolour on paper
56.5x72.5 cm
Courtauld Institute of Art, London, UK
Arcades at Vallauris - 1927
Oil on canvas
73 x 92.5 cm.
E.G. Bührle Collection, Zurich
Oliviers au Golfe Juan - 1927
Watercolour on paper
508 x 660 mm
Tate Gallery
Le Champ de blé - 1929
Oil on canvas
1300 x 1620 mm
Tate Gallery
At the Races, c. 1930-1935
Oil on canvas
46 x 55 cm
Museo Thyssen-Bornemisza, Madrid, Spain
La Famille Kessler à cheval - 1931
Gouache on paper
500 x 669 mm
Tate Gallery
Deauville, le séchage des voiles - 1933
Oil on canvas
464 x 1102 mm
Tate Gallery
Regattas at Henley, c. 1933
Oil on canvas
38.7 x 46.4 cm
Private collection
Paris, 1934
Oil on canvas
77 1/4 x 61 5/8 in. (196.2 x 156.5 cm)
County Museum of Art (LACMA), Los Angeles
Regatta at Cowes - 1934
Oil on Canvas
Washington D.C. National Gallery of Art.
La Chapelle dans le champ de blé, Normandie, 1935
Oil on canvas
46.4 x 56.2 cm
Private collection
Nogent-sur-Marne, 1935
Oil on canvas
130 x 161 cm
Private collection
The Paddock at Chantilly, 1939
Watercolor on paper
Daniel Malingue Gallery, Paris
Marine - c. 1950
Color lithograph
19 3/4" x 25 1/2"
Le Casino de la Jetée à Nice - 1950
Wood engraving
9 1/4" x 11 1/4"
Vue de la fenêtre - c. 1950
Color lithograph
19 5/8" x 25 1/2"
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No quadro "Regatta at Cowes" de 1934, um conjunto de barcos à vela disputa uma regata. As linhas expressionistas típicas do estilo de Dufy sugerem o movimento ondulante dos bascos na água. As velas amarelo vivo ao centro constrastam com o azul do mar e do céu e dão à obra uma sensação de joie de vivre. Num período em que muitos artistas abordavam temas dominados pela angústia, Dufy trabalhava sobre paisagens marítimas e terrestres decorativas. a Coloração viva e a aplicação expressionista da tintarevelam o fauvismo de Dufy, que participou na primeira exibição do grupo, em 1905, e que trabalhou em conjunto com Derain. Dufy foi profundamente influenciado pela utilização que Matisse fazia das áreas planas de cores puras, rigorosamente sobrepostas. Raoul Dufy nasceu em Le Havre, França, em 1877 e morreu em Forcalquier em 1953
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Raoul Dufy (1877-1953)
Raoul Dufy was a painter of joy: his style, his subject matter, and his light, bright colors reflect a joy in life and in creating works which impart to the viewer a sensuous delight. Deeply rooted in the French decorative tradition that includes Watteau, Fragonard, and Boucher, he was an amused observer and recorder of the fashionable world around him - of horse races and yachting scenes, sparkling views of the Riviera, chic parties and musical events. The wit and elegance of Dufy's calligraphic draftsmanship, combined with a magnificent control of intense color harmonies, give his work its characteristic style. Dufy's work encompassed such an enormous variety of media. Although he was best known as a society painter, Dufy's paintings were just one part of his tremendous breadth of creative energy. Dufy brought equal enthusiasm and joie-de-vivre to all his work. He changed the face of fashion and fabric design with his work for Paul Poiret and Biachini-Férier; he was one of the finest book illustrators of his time, producing numerous exquisite engravings for Apollinaire's Bestiaire; his stage and costume designs for Cocteau's Le Beuf sur le toit were inspired, amusing and rapturously received; in 1937 he painted his huge and immensely popular epic to electricity, the fresco La Fée Electicité, for the Exposition Internationale. Dufy's oeuvre consists of more than two thousand paintings, as many watercolors and almost one thousand drawings. He illustrated some fifty literary works with wood engravings, lithographs, etchings, watercolors and drawings. He made more than two hundred ceramic pieces. There is almost fifty tapestry designs and some five thousand watercolor and gouache fabric designs. Dufy's stage sets, murals and monumental decorations are among the most important of his time. Raoul Dufy's contribution to decorative art is of crucial important; he made no hierarchical distinction between 'great art' and the so-called 'minor arts,' which he treated with all his natural enthusiasm. He learned the laws and rules of each of these techniques. He expressed himself in his treatment of a small set of themes, constantly repeated, recreated, broadened and transfigured. He discovered an infinite richness in daily life, and his creative imagination, his fantasy, his mental energy, combine to produce a poetry that glories life in all its manifestations.
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