Kandinsky, Wassily - Expressionismo
View of Murnau, 1908
Oil on cardboard
33x44.5 cm
Hermitage Museum, Saint Petersburg, Russia
Autumn in Bavaria - 1908
Oil on cardboard
33x45cm
Centre Georges Pompidou, Paris
The Elephant, 1908
Oil on cardboard
Madame Nina Kandinsky Collection
Neuilly-sur-Seine, France
Blue Mountain, 1908–09
Oil on canvas
41 3/4 x 38 inches
Guggenheim Museum, New York City
Study for Autumn, 1909
Oil on canvas
Gabriele Münter Foundation
Städtische. Galerie Munich. Germany
Improvisation 7 - 1910
Oil on canvas
131 x 97 cm
Tretyakov Gallery, Moscow
Composition IV, 1911
Oil on canvas
159.5 x 250.5 cm (62 7/8 x 98 5/8 in)
Kunstsammlung Nordrhein-Westfallen, Dusseldorf
Composition V, 1911
Oil on canvas
190 x 275 cm (6' 3 7/8" x 9' 1/4")
Private collection
The Garden of Love (Improvisation Number 27), 1912
Oil on canvas
47 3/8 x 55 1/4 in.(120.3 x 140.3 cm)
The Metropolitan Museum of Art, New York City
Improvisation 28 (second version), 1912
Oil on canvas
43 7/8 x 63 7/8 inches
Guggenheim Museum, New York City
Black Spot I - 1912
Oil on canvas
100 x 130 cm
The Hermitage, St. Petersburg
Composition VI, 1913
Oil on canvas
195 x 300 cm (6' 4 3/4" x 10')
Hermitage Museum, St. Petersburg
Composition VII, 1913
Oil on canvas
200 x 300 cm (6' 6 3/4" x 9' 11 1/8")
Tretyakov Gallery, Moscow
Black Lines, December 1913
Oil on canvas
51 x 51 5/8 inches
Guggenheim Museum, New York City
Landscape with Red Spots, No. 2, 1913
Oil on canvas
117.5 x 140 cm
Guggenheim Museum, New York City
Landscape, 1913
Oil on canvas
88x100 cm
Hermitage Museum, Saint Petersburg, Russia
Improvisation 31 (Sea Battle) - 1913
Oil on canvas
145 x 119.7cm (57 x 47 in)
National Gallery of Art, Washington D.C.
Small Pleasures - 1913
Oil on canvas
110 x 120.6 cm (43 1/4 x 47 1/4 in)
Private Collection
Ravine Improvisation, 1914
Oil on cardboard
110 x 110 cm
Stadtische, Munich
White Line, nº 232, 1920
Oil on canvas
Guggenheim Museum, New York City
Stars, 1922
Color lithograph (after the opaque watercolor)
30,4 x 20,6 cm
Fine Arts Museums of San Francisco
White Cross, January-June 1922
Oil on canvas
100.5 x 110.6 cm
Peggy Guggenheim Collection, Venice
On White II - 1923
Oil on canvas
105 x 98cm
Centre Georges Pompidou, Paris
In the Black Circle, 1923
OIl on canvas
Galeríe Maeght, Paris, France
Transverse Line, 1923
Oil on canvas
141 x 202 cm
Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany
Orange, 1923
Lithograph, printed in color
40.6 x 38.5 cm
The Museum of Modern Art, New York City
Composition VIII - 1923
Oil on canvas
140 x 201 cm (55 1/8 x 79 1/8 in)
Solomon R. Guggenheim Museum, New York
Contrasting Sounds - 1924
Oil on cardboard
70x49.5cm
Centre Georges Pompidou, Paris
Yellow, Red, Blue - 1925
Oil on canvas
127x200cm
Centre Georges Pompidou, Paris
In the Blue, 1925
Oil on cardboard
80 x 110 cm
Kunstsammlung Nordrhein-Westfalen. Dusseldorf, Germany
Swinging - 1925
Oil on canvas
70,5x50,2 cm
Tate Gallery, London
Upward, October 1929
Oil on cardboard
70 x 49 cm
Peggy Guggenheim Collection, Venice
Layers, 1932
Tempera on cardboard
Private collection
Black Forms on White, 1934
Oil on canvas
Private collection
Brown with Supplement, 1935
Oil on canvas
Boymans van Beuningen Museum, Rotterdam, Nederlands
Pointille, 1935
Gouache on black board
48,4 x 33,5 cm
Studio Esseci, Padua, Italy
Composition IX, 1936
Oil on canvas
113.5 x 195 cm (44 5/8 x 76 3/4 in)
Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Composition X - 1939
Oil on canvas
130 x 195 cm (51 1/8 x 76 3/4 in)
Kunstsammlung Nordrhein-Westfalen, Dusseldorf
Seven, 1943
Oil on cardboard
Private collection
Impetu moderado, 1944
Oil on cardboard
42 x 58 cm
Centre Georges Pompidou. Paris. France
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Na sua obra "Swinging", de 1925, Kandinsky pinta formas e linhas coloridas sobre a tela formando uma composição vibrante. As formas sugerem drama e movimento, as cores vivas e intensas criam a sensasão de espaço e as linhas atribuem ao quadro uma força e um ritmo dinâmicos. O resultado traduz-se em emoções alegres, como se de uma peça musical se tratasse. Kandinsky nasceu na Rússia e começou por estudar advocacia. Seguidamente, mudou-se para Munique para estudar pintura e aí fundou o movimento expressionista alemão Der Blaue Reiter (O Cavaleiro Azul), em conjunto com Marc. Depois da Primeira Guerra Mundial, regressou à Rússia e esteve ligado ao desenvolvimento de projectos artísticos para o novo estado siviético. Contudo, cedo se desiludiu do regime, regressando à Alemanha, onde ensinou na Bauhaus, a famosa escola de arte e design. Kandinsky é considerado o autor do primeiro quadro abstracto , datado de 1910, tendo portanto sido um dos fundadores da arte abstracta "pura". Wasiliy Vasil'yevich Kandinsky nasceu em 16 de Dezembro de 1866 e morreu em 13 de Dezembro de 1944, em Neuilly-sur-Seine
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Vasily Kandinsky was born December 4, 1866, in Moscow. From 1886–92, he studied law and economics at the University of Moscow, where he lectured after graduation. In 1896, he declined a teaching position in order to study art in Munich with Anton Azbe from 1897 to 1899 and at the Kunstakademie with Franz von Stuck in 1900. Kandinsky taught in 1901–03 at the art school of the Phalanx, a group he had cofounded in Munich. One of his students, Gabriele Münter, would be his companion until 1914. In 1902, Kandinsky exhibited for the first time with the Berlin Secession and produced his first woodcuts. In 1903 and 1904, he began his travels in Italy, the Netherlands, and North Africa and his visits to Russia. He showed at the Salon d’Automne in Paris from 1904. In 1909, Kandinsky was elected president of the newly founded Neue Künstlervereinigung München (NKVM). The group’s first show took place at Heinrich Thannhauser’s Moderne Galerie in Munich in 1909. In 1911, Kandinsky and Franz Marc began to make plans for Der Blaue Reiter Almanac, although the publication would not appear until the following year. Kandinsky’s On the Spiritual in Art was published in December 1911. He and Marc withdrew from the NKVM in that month, and shortly thereafter the Blaue Reiter group’s first exhibition was held at the Moderne Galerie. In 1912, the second Blaue Reiter show was held at the Galerie Hans Goltz, Munich. Kandinsky’s first solo show was held at Der Sturm gallery in Berlin in 1912. In 1913, one of his works was included in the Armory Show in New York and the Erste deutsche Herbstsalon at the Der Sturm gallery in Berlin. Kandinsky lived in Russia from 1914 to 1921, principally in Moscow, where he held a position at the People’s Commissariat of Education. Kandinsky began teaching at the Bauhaus [more] in Weimar in 1922. In 1923, he was given his first solo show in New York by the Société Anonyme, of which he became vice-president. Lyonel Feininger, Alexej Jawlensky, Kandinsky, and Paul Klee made up the Blaue Vier group, formed in 1924. He moved with the Bauhaus to Dessau in 1925 and became a German citizen in 1928. The Nazi government closed the Bauhaus in 1933 and later that year Kandinsky settled in Neuilly-sur-Seine, near Paris; he acquired French citizenship in 1939. Fifty-seven of his works were confiscated by the Nazis in the 1937 purge of “degenerate art.” Kandinsky died December 13, 1944, in Neuilly.
Guggenheim Collection Biography
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on Terça-feira, Dezembro 13, 2005 at 6:35 PM.
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1:13 PMmais um génio. Gosto muito. a cor, os jogos, o conteúdo das suas obras...
2:20 PM
Um dos meus pintores preferidos. Algumas telas tive o prazer de ver há dois anos em Madrid.
11:49 PM
sao todas iguais mó porcaria!!
3:16 PM
o ano passado fiz um quadro e ficou muito mais bonito. o meu irmão fez um desenho de um cavalinho bue giro mas parecia um cão...ahaha curto bue o quadro...façam mas é um melhor..hahahaha
12:59 AM
não o conhecia antes,mas agora vi a beleza e a leveza,e a alegria com que ele pintava.GENIAL.
10:29 AM
Quando Piero de la Francesca conseguiu através de um plano bidimensional fazer coincidir a profundidade e a tridimensionalidade em convergência e focado num ponto de fuga a arte da pintura não mais parou, a busca incessante da luz, da cor e da luminosidade representadas numa tela, a arte tornou-se imparável e qualquer movimento artístico, na pintura, que se sucedeu um após outro,é natural que haja pintores e obras para todos os gostos, o mais importante é interpretá-las e isso é o enigma, mas os mais atentos e talentosos, embora com interpretações diferentes e, por vezes,divergentes, conseguem elucidar aqueles menos preparados
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