Marc, Franz - Expressionismo
Sheaf of Grain, 1907
Oil on canvas
31 x 23 cm
The University of Iowa Museum of Art, Iowa City, Iowa
Deer at Dusk, 1909
Oil on canvas
70.5 x 100.5 cm
Städtische Galerie im Lenbachhaus, Munich, Germany
Siberian Dogs in the Snow - 1909/1910
Oil on canvas
80.5 x 114 cm (31 5/8 x 44 7/8 in.)
National Gallery of Art, Washington D.C
Cats, 1909-10
Oil on canvas
50.5 x 60.5 cm
Private Collection
Bathing Girls, 1910
Oil on canvas
106.7 x 141.6 cm
Norton Simon Art Foundation, Pasadena, California
Nude with cat, 1910
Oil on canvas
88 x 82 cm
Städtische Galerie im Lenbachhaus, Munich, Germany
Horse in the Landscape, 1910
Oil on canvas
85 x 112 cm
Museum Folkwang, Essen, Germany
Yellow Cow (Gelbe Kuh) - 1911
Oil on canvas
55 3/8 x 74 1/2 inches
Solomon R. Guggenheim Museum, New York
The Blue Horse, 1911
Oil on canvas
112,5 x 84,5 cm
Stadtische Galerie im Lenbachhaus, Munich, Germany
Two Blue Horses, 1911
Gouache and ink on paper
20 x 13.3 cm
Solomon R. Guggenheim Museum, New York City
Horse Asleep, 1911
Watercolor and ink on laid paper
40,3 x 46,3 cm
Solomon R. Guggenheim Museum, New York City
Weasels at Play, 1911
Oil on canvas
101.9 x 67 cm
Private collection
Woodcutter, 1911
Oil on canvas
141 x 109 cm
Private collection
The Large Blue Horses - 1911
Oil on canvas
Walker Art Center - Minnesota
Deer in the Snow, 1911
Oil on canvas
84.7 x 84.5 cm
Städtische Galerie im Lenbachhaus, Munich, Germany
Mountains (Rocky Way /Landscape), 1911-1912
Oil on canvas
130,8 x 101 cm
San Francisco Museum of Modern Art, San Francisco, California
Two Horses, Red and Blue, 1912
Watercolor on paper
44.5 x 38.1 cm
Rhode Island School of Design, Museum of Art, Providence, Rhode Island
Cow, Yellow, Red, Green, 1912
OIl on canvas
62 x 87,5 cm
Städtische Galerie im Lenbachhaus, Munich, Germany
Pigs, 1912
Oil on canvas
58.1 x 83.3 cm
Private collection
Der Tiger - 1912
Oil on canvas
Lenbach House, Munich, Germany
The Shepherds - 1912
Oil on canvas
100 x 135 cm
Palazzo Grassi, Venice
The Waterfall, 1912
Oil on canvas
165 x 158 cm
Private Collection
The Dream, 1912
Oil on canvas
100,5 x 135,5 cm
Museo Thyssen-Bornemisza, Madrid, Spain
Rain, 1912
Oil on canvas
81 x 105,5 cm
Städtische Galerie im Lenbachhaus, Munich, Germany
The Unfortunate Land of Tyrol -1913
Oil on canvas
51 5/8 x 78 3/4 inches
Solomon R. Guggenheim Museum, New York
Dead Deer, 1913
Tempera on paper
16,3 x 13 cm
Private collection
Fairy Animals I, 1913
Tempera on paper
25.4 x 31.6 cm
Private collection
Fate of the Animals, 1913
Oil on canvas
195 x 263,5 cm
Öffeentliche Kunstsammlung Basel, Kunstmuseum, Basel, Germany
Long yellow Horse, 1913
Oil on canvas
60 x 80 cm
Nassau County Museum, New York
Saint Julian L´Hospitalier, 1913
Gouache with ink and gold on laid paper
45.7 x 40 cm
Solomon R. Guggenheim Museum, New York City
Colour Flowers (Abstract Forms), 1913-1914
Tempera on paper
21,9 x 16,8 cm
San Diego Museum of Art, San Diego, California
Animals in a Landscape - 1914
Oil on canvas
43 3/8 x 39¼ in. (110.2 x 99.7 cm)
Detroit Institute of Arts, Michigan
Fighting Forms - 1914
Oil on canvas
91 x 131 cm
Staatsgalerie Moderner Kunst, Munich, Germany
Broken Forms, 1914
Oil on canvas
111.7 x 84.4 cm
Solomon R. Guggenheim Museum. New York City
The Birds, 1914
Oil on canvas
109 x 100 cm
Städtische Galerie im Lenbachhaus, Munich, Germany
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Dois cães farejam incessantemente na neve, o seu pêlo branco parecendo dissolver-se na paisagem. A luminosidade extraordinária deste quadro inspira-se de algum modo no interesse dos impressionistas pela luz, ao passo que as sombras constrastantes do amarelo e azul sofreram a influência das teorias de Delaunay acerca dos contrastes da cor. Marc é conhecido pelos seus quadros de animais em tons não naturalistas tais como os cavalos azuis e vermelhos, e acreditava que a cor detinha uma força simbólica e espiritual própria. Esta obra foi pintada no ano em que Marc conheceu Kandinsky e se associou à New Artists' Association, da qual nasceria o grupoDer Blaue Reiter (O Cavaleiro Azul). Desde essa altura em diante, Marc afastou-se do naturalismo dos estudos iniciais de animais, criando o seu primeiro quadro abstracto em 1913. A sua morte trágica durante a Primeira Guerra Mundial (1916), aos 26 anos, pôs termo a carreira promissora. A sua filosofia da arte, original e profundamente séria, exerceria forte impacto em Kandinsky. Franz Marc nasceu em Munique (ALE) em 1880 e morreu em Verdun (FR) em 1916.
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Franz Marc was born February 8, 1880, in Munich. The son of a landscape painter, he decided to become an artist after a year of military service interrupted his plans to study philology. From 1900 to 1902, he studied at the Kunstakademie in Munich with Gabriel Hackl and Wilhelm von Diez. The following year during a visit to France, he was introduced to Japanese woodcuts and the work of the Impressionists in Paris. Marc suffered from severe depressions from 1904 to 1907. In 1907, he went again to Paris, where he responded enthusiastically to the work of Paul Gauguin, Vincent van Gogh, the Cubists, and the Expressionists; later, he was impressed by the Henri Matisse exhibition in Munich in 1910. During this period, he received steady income from the animal-anatomy lessons he gave to artists. In 1910, Marc’s first solo show was held at Kunsthandlung Brackl, Munich, and he met August Macke and the collector Bernhard Koehler. He publicly defended the Neue Künstlervereinigung München (NKVM) and was formally welcomed into the group early in 1911, when he met Vasily Kandinsky. After internal dissension split the NKVM, he and Kandinsky formed Der Blaue Reiter, whose first exhibition took place in December 1911 at Heinrich Thannhauser’s Moderne Galerie, Munich. Marc invited members of the Berlin Brücke group to participate in the second Blaue Reiter show two months later at the Galerie Hans Goltz, Munich. Der Blaue Reiter Almanac was published with lead articles by Marc in May 1912. When World War I broke out in August 1914, Marc immediately enlisted. He was deeply troubled by Macke’s death in action shortly thereafter; during the war, he produced his Sketchbook from the Field. Marc died March 4, 1916, near Verdun-sur-Meuse, France.
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Franz Marc was born February 8, 1880, in Munich. The son of a landscape painter, he decided to become an artist after a year of military service interrupted his plans to study philology. From 1900 to 1902, he studied at the Kunstakademie in Munich with Gabriel Hackl and Wilhelm von Diez. The following year during a visit to France, he was introduced to Japanese woodcuts and the work of the Impressionists in Paris. Marc suffered from severe depressions from 1904 to 1907. In 1907, he went again to Paris, where he responded enthusiastically to the work of Paul Gauguin, Vincent van Gogh, the Cubists, and the Expressionists; later, he was impressed by the Henri Matisse exhibition in Munich in 1910. During this period, he received steady income from the animal-anatomy lessons he gave to artists. In 1910, Marc’s first solo show was held at Kunsthandlung Brackl, Munich, and he met August Macke and the collector Bernhard Koehler. He publicly defended the Neue Künstlervereinigung München (NKVM) and was formally welcomed into the group early in 1911, when he met Vasily Kandinsky. After internal dissension split the NKVM, he and Kandinsky formed Der Blaue Reiter, whose first exhibition took place in December 1911 at Heinrich Thannhauser’s Moderne Galerie, Munich. Marc invited members of the Berlin Brücke group to participate in the second Blaue Reiter show two months later at the Galerie Hans Goltz, Munich. Der Blaue Reiter Almanac was published with lead articles by Marc in May 1912. When World War I broke out in August 1914, Marc immediately enlisted. He was deeply troubled by Macke’s death in action shortly thereafter; during the war, he produced his Sketchbook from the Field. Marc died March 4, 1916, near Verdun-sur-Meuse, France.
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on Segunda-feira, Agosto 22, 2005 at 7:04 PM.
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11:12 AMvou ver frida kahlo dia 9 de setembo à tate modern. wanna come? :)
12:12 PM
Iria de boa vontade. Mas nã posso. Travail oblige. Merci.
1:17 PM
Não conhecia este pintor. Fantástico.
2:15 PM
Muito bom...
Frida Khalo no Tate? Se nao estiver a trabalhar irei... acho que nunca vi um frida ao vivo...
Bjocas
2:39 PM
The Shepherds ... muito bom
3:26 AM
Alguém sabe quem está cantando? É a Björk?
11:21 PM
me encantó ver todas esas obras de Marc juntas. Gracias!!!!
10:51 PM
Franz Marc impressionou-me com todo o seu expressionismo ;)
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