Schiele, Egon - Expressionismo
Gerti Schiele, 1909
Oil on canvas
140 x 140 cm
The Museum of Modern Art, New York
Eduard Kosmack
1910
Oil on canvas
100 x 100 cm
Oesterreichische Galerie, Vienna
Female Nude - 1910
Gouache, watercolor and black chalk with white highlighting
Graphische Sammlung Albertina, Vienna
Scornful Woman, 1910
Gouache, watercolor and charcoal with white highlighting
45 x 31.4 cm
Private collection
Self-Portrait Pulling Cheek, 1910
Gouache, watercolor and charcoal
44.3 x 30.5 cm
Graphische Sammlung Albertina, Vienna
Self-Portrait Standing - 1910
Gouache, watercolor and pencil with white highlighting
Graphische Sammlung Albertina, Vienna
Pregnant Woman and Death, 1911
Oil on canvas
100 x 100 cm
Narodni Gallery, Prague
Seated Girl, 1911
Watercolor and pencil
48 x 31.5 cm
Haags Gemeentemuseum voor Moderne Kunst, The Hague
Self-Portrait with Outstretched Arms, 1911
Gouache, watercolor and pencil on paper
19 x 12 1/2 in. (48.2 x 31.7 cm)
Graphische Sammlung Albertina, Vienna
Semi-Nude Girl, Reclining, 1911
Gouache, watercolor, and pencil with white heightening on paper
18 1/8 x 12 1/4 in. (45.9 x 31.1 cm)
Graphische Sammlung Albertina, Vienna
Autumn Trees
1911
Oil on canvas
79.5 x 80 cm
Private collection
Agony - 1912
Oil on canvas
Neue Pinakothek, Munich
Little Tree (Chesnut Tree at Lake Constance), 1912
Watercolor and pencil on paper
18 x 11 5/8 in. (45.8 x 29.5 cm)
Private collection
Self Portrait, 1913
Pencil
National Museum Stockholm
Fighter, 1913
Gouache and pencil on paper
19 1/4 x 12 5/8 in. (48.8 x 32.2 cm)
Private collection
The Truth Unveiled - 1913
Gouache, watercolor and pencil on off-white wave paper
Private collection
Self-Portrait with Raised Right Elbow, 1914
Gouache, watercolor and black chalk
47.6 x 31.1 cm
Private collection
Self-Portrait as St. Sebastian (Poster for Arnot Gallery exhibition), 1914/15
Indian ink and opaque
67 x 50 cm
Historisches Museum der Stadt Wien, Vienna
Two Women - 1915
Gouache and pencil
Graphische Sammlung Albertina, Vienna
Seated Couple (Egon and Edith Schiele) - 1915
Gouache and pencil on paper
Graphische Sammlung Albertina, Vienna
Two Women, 1915
Gouache and pencil
32.8 x 49.7 cm
Graphische Sammlung Albertina, Vienna
Death and the Maiden, 1915/16
Oil on canvas
150 x 180 cm
Oesterreichische Galerie, Vienna
Reclining Woman with Green Stockings - 1917
Gouache and black crayon on paper
Private collection
Seated Woman, 1917
Watercolor, gouache, and pencil on paper
H. 18-1/4, W. 11-3/4 in. (46.4 x 29.8 cm)
The Metropolitan Museum of Art, New York City
Mother and Two Children - 1917
Oil on canvas
Oesterreichische Galerie, Vienna
Portrait of Paris von Gütersloh, 1918
Oil on canvas
55 1/8 x 43 7/16 in. (140.02 x 110.33 cm)
Minneapolis Institute of Arts, Minnesota
The Family - 1918
Oil on canvas
152.5 x 162.5 cm
Oesterreichische Galerie, Vienna
Portrait of the Artist's Wife, Seated - 1918
Oil on canvas
Osterreichische Galerie, Vienna
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As imagens intensas e distorcidas de Schiele são inflexíveis na expressão de sentimentos humanos. Profundamente afectado pelas explorações do inconsciente, a obra de Schiele dava forma às suas próprias ansiedades e inseguranças. A sua carreira foi breve, e muitas das suas obras contêm sexo explícito, o que levou o artista à prisão por "fazer desenhos imorais". A aguda intensidade nervosa de seu estilo tornou-o um dos mais importantes pintores expressionistas, embora ele nunca tenha se identificado formalmente com o movimento. Schiele morreu prematuramente de influenza, no momento em que seu trabalho começava a ser reconhecido. Egon Schiele nasceu em Tulin (AUS) em 1890 e morreu enm Viena (AUS) em 1918, vítima de tuberculose.
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Egon Schiele was born June 12, 1890, in Tulln, Austria. After attending school in Krems and Klosterneuburg, he enrolled in the Akademie der Bildenden Künste in Vienna in 1906. Here he studied painting and drawing but was frustrated by the school’s conservatism. In 1907, he met Gustav Klimt, who encouraged him and influenced his work. Schiele left the Akademie in 1909 and founded the Neukunstgruppe with other dissatisfied students. Upon Klimt’s invitation, Schiele exhibited at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toroop, Vincent van Gogh, and others. On the occasion of the first exhibition of the Neukunstgruppe in 1909 at the Piska Salon, Vienna, Schiele met the art critic and writer Arthur Roessler, who befriended him and wrote admiringly of his work. In 1910, he began a long friendship with the collector Heinrich Benesch. By this time, Schiele had developed a personal expressionist portrait and landscape style and was receiving a number of portrait commissions from the Viennese intelligentsia. Seeking isolation, Schiele left Vienna in 1911 to live in several small villages; he concentrated increasingly on self-portraits and allegories of life, death, and sex and produced erotic watercolors. In 1912, he was arrested for “immortality” and “seduction”; during his 24-day imprisonment, he executed a number of poignant watercolors and drawings. Schiele participated in various group exhibitions, including those of the Neukunstgruppe in Prague in 1910 and Budapest in 1912; the Sonderbund, Cologne, in 1912; and several Secession shows in Munich, beginning in 1911. In 1913, the Galerie Hans Goltz, Munich, mounted Schiele’s first solo show. A solo exhibition of his work took place in Paris in 1914. The following year, Schiele married Edith Harms and was drafted into the Austrian army. He painted prolifically and continued to exhibit during his military service. His solo show at the Vienna Secession of 1918 brought him critical acclaim and financial success. He died several months later in Vienna, at age 28, on October 31, 1918, a victim of influenza, which had claimed his wife three days earlier.
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on Quarta-feira, Abril 06, 2005 at 10:45 AM.
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4:59 PMFelicito-te por essa paixão, que sei antiga. Egon Schiele é realmente admirável. E viveu só 28 anos...
8:35 PM
Sou apaixonadíssima por Egon Shiele. Vi ainda este ano uma exposição dele na sua terra Natal e se já o admirava, fiquei absolutamente rendida.
Não escolheria as obras que aqui apresenta como representativas, porque a par doa magníficos auto-retratos e retratos, creio que as paisagens naturais ou urbanas(?) são soberbas. Há dois quadros destes temas que considero magníficos e que certamente conhece: "House with drying laundry" e "sun flowers". Bom fim de semana. Obrigada por este maravilhoso sítio!! Espero pelo Nicolas de Stael, outra grande paixão minha!!
9:38 PM
Esta galeria, Lady, foi a primeira ou segunda que fiz neste blog. Também eu sempre tive paixão por este pintor. Só que, quando escolhi estes quadros, tinha acabado de reler "Os Cadernos de Don Rigoberto" de Mario Vargas LLosa. E a influência do erotismo do livro e as referências eróticas constantes ao Egon ao longo da história, levaram-me a escolher estas pinturas. Vou fazer uma outra galeria Egon Schieli 2. Um beijo
9:07 PM
I love this page for Schiele, it's the best I've seen.
I've set up a link to you through my own:
http://thenigtbook.blogspot.com
Best,
Levari
8:08 PM
Admiro a Egon...y admiro también su trabajo y su talento.
5:21 AM
Gostaria de parabenizá-lo acerca de Egon Schiele. Certamente, ele é a grande pilastra da arte moderna e contemporãnea.
É impossível colocar-se diante de um Egon e continuar sendo àquilo que se era. Ele nos invade, brutalmente e de modo doce.
Sou um eterno apaixonado por Egon, e faço no momento documentações de um futuro mestrado em Egon.
Visiite meu blog! www.estudioludico.blogspot.com
Você verá lá, minhas colocações, e poesias acercade Egon, sobre Egon e com Egon.
Um cordial abraço
Alex Delsin
9:27 PM
Foi um prazer monstruoso encontrar este blog sobre Egon Schiele e suas obras! Egon me apaixona sempre!
Muito obrigada!
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