Fischl, Eric - Realismo contemporâneo
Sleepwalker, 1979
Oil on canvas
Bad Boy, 1981
Oil on canvas
66 x 96 in. (167.5 x 244 cm)
Private collection, Zurich
Master Bedroom (Her Master's Voice), 1983
Oil on canvas
84 x 108 in. (213.4 x 274.3 cm)
The Museum of Contemporary Art, Los Angeles
The Brat II, 1984
Oil on linen
84" x 108"
Scenes & Sequences: "Dream", 1986
Monotype
22 1/2 x 25 1/4 inches
UBS Financial Services Art Collection
The Chester's Gambit, 1991
Oil on linen
86 x 98 inches
UBS Financial Services Art Collection
Untitled (Jump rope), 1992
Solar plate intaglio on paper
18 1/2 x 15 in. (47.0 x 38.1 cm)
Smithsonian American Art Museum, Washington D.C.
Untitled (Sweater), 1992
Solar plate intaglio on paper
7 3/4 x 5 7/8 in. (19.7 x 14.5 cm.)
Smithsonian American Art Museum, Washington D.C.
Strange Place to Park n°2, 1992
Oil on canvas
2,50 m x 2,19 m
Centre Pompidou, Paris
The Travel of Romance: Scene I, 1994
oil on linen
58 x 65 inches
Broad Art Foundation
The Travel of Romance: Scene II, 1994
oil on linen
45 x 70 inches
Broad Art Foundation
The Travel of Romance: Scene III, 1994
oil on linen
72 x 54 inches
Broad Art Foundation
The Travel of Romance: Scene IV, 1994
oil on linen
55 x 65 inches
Broad Art Foundation
The Travel of Romance: Scene V, 1994
oil on linen
70 x 54 inches
Broad Art Foundation
What Stands between the Artist and..., 1994
Oil on canvas
72 1/4 x 54 1/8 in. (183.5 x 137.5 cm)
Smithsonian American Art Museum, Washington D.C.
Lapping Sounds Along the Shore, 1996-1997
oil on linen
75 x 47 inches
Seavest Collection of Contemporary American Realism
Communion, 1997
Oil on linen
139,5 x 173 cm
Dog in God House, 1997
Oil on linen
139,5 x 165 cm
Untitled, 1997
Oil on chromecoat
70 x 99,5 cm
The Ultimate Opera, 1998
Oil on canvas
165 x 147,5 cm
Untitled, 1998
Oil on chromecoat
99,5 x 70 cm
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The Bed, The Chair, The Sitter, 1999-2000
Oil onlinen
78" by 93"
The Bed, the Chair Touched, 2001
Oil on Linen
Bedroom Scene #2; They Were Facing Each Other When the Rock Crushed Them, 2003
Oil on Linen
Krefeld Project, Dining Room Scene 2, 2003
Oil on linen
Bedroom Scene #6; Surviving the Fall Meant Using You for Handholds, 2004
Oil on Linen
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Na tela "Bad Boy, 1981", um jovem rapaz lança um olhar a uma mulher nua de pernas abertas, talvez a sua mãe, enquanto lhe rouba a carteira, símbolo da sua vagina. A atmosfera sensual criada pelas tiras de luz que entram pela janela acrecentam uma dimensão sexual. Trata-se de um quadro muito complexo, ambíguo e pleno de simbolismo erótico, evocando conflitos epidianos, segredos e tabus. Um voyeurismo e envolvimento no drama torna-se inevitável para o observador, devido à identificação da nossa perspectiva com a do rapaz. Fischl tornou-se famoso no início dos anos 80, em Nova Iorque, no contexto do revivalismo da pintura e do emergir do movimento neofigurativo. As pinceladas ilustrativas e descontraidas e o estilo informal dos seus grandes quadros figurativos escondem um conteúdo psico-sexual carregado. Abordando as formas cde vida das classes abastadas dos subúrbios, Fischl expôe um mundo de ansiedades, inseguranças e desejos reprimidos que faz por baixo de uma aparência de conforto. Eric Fischl nasceu em Nova Iorque em 1948.
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Born in New York City in 1948, Eric Fischl grew up in the suburbs of Long Island , his parents having moved there shortly before his second year."Safer place to raise a family", they used to say. Against a backdrop of alcoholism and a country club culture obsessed with image over content, Fischl became focussed on the rift between what was experienced and what could not be said. Until the late 70's, suburbia was not considered a legitimate genre for art. With his first New York show at the Edward Thorp Gallery, epithets like "psycho-sexual suburban dramas" became velcroed to his disturbing images of dyfunctional family life. Fischl began his art education in Phoenix, Arizona where his parents had moved in 1967. First at Phoenix Junior College, then a year at Arizona State University, and finally getting his BFA in 1972 at the recently opened California Institute of the Arts in Valencia,California. After graduation he moved to Chicago where he worked as a guard at the Museum of Contemporary Art. It was in Chicago that Fischl was exposed to the non-mainstream art of the Hairy Who. "The underbelly, carnie world of Ed Paschke and the hilarious sexual vulgarity of Jim Nutt were revelatory experiences for me.", Fischl has said. In 1974, he got a job teaching painting at the highly touted Nova Scotia College of Art and Design. It is there that he met his future wife, the painter, April Gornik. In 1978 they moved to New York City where they continue to live and work.
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on Segunda-feira, Março 21, 2005 at 11:44 PM.
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2:01 AMSou fanzona de Eric Fischl. Meu preferido é o Bad Boy que não consta de sua lista.De qq. forma, seu blog é
chiquetérrimo!
2:00 PM
Adorei!
Quem vê os trabalhos do Eric, com certeza irá adorar os trabalhos do Rodrigo Cunha.
2:31 AM
A tela "Bad Boy" me causa espanto....
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